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X-Statix ships for the second week
in a row, and apparently we can expect another one next week
too. In other words, now that they've finally got the
rewrites out of the way, they're ploughing ahead in order to
get back up to speed.
Two issues into "Back From The Dead", I'm
pretty much convinced that the creative team have indeed taken
a conscious decision to botch the rewriting. True, on
the surface, everything has been conscientiously distanced
from Princess Diana by relocating her home country to "Europa"
and replacing her with pop star Henrietta.
But you barely need to scratch the surface
to see that the story is still drowning in references to
Diana. Henrietta's pet charities are listed as
landmines, AIDS and eating disorders. She commissions
garishly horrible costumes from a designer who works for her
friend Elton John. This is scarcely subtle stuff, and
without the context of a Princess Diana story it makes little
sense.
And in fact the story doesn't make much
sense, at least if you take it literally. The general
impression is that nothing has been done to revise the plot in
order to let it make sense for a character other than Diana.
A bare minimum has been done to comply with executive edict,
but the story which has been produced is one that only makes
sense if the reader disregards all of those changes and
mentally rewrites everything to reference Diana instead.
It's as if Milligan and his editors have
concluded that everyone reading the book will already know
from the publicity that it was going to be about Diana, and
have chosen to forcibly remind the audience of that at every
turn by doing the most hamfisted job imaginable of removing
her from the comic. If they can't do the story openly,
they'll make sure that nobody paying the slightest attention
could possibly miss the point.
For readers of the ongoing series, that's
probably a fair assumption. For anyone buying the trade
paperback in a year's time - assuming that Marvel even produce
one for this storyline, and I wouldn't bet on it - it may be a
lot more confusing.
In fact, as written in this story, Diana
would have been a fairly sympathetic character by the
standards of X-Statix. True, she's image conscious and
gratingly irritating, but if you disregard Spider-Man's
bafflingly gratuitous appearance, she's genuinely written as
the only person in the story who seems to have any real
interest in doing good. Of course, like X-Statix
themselves, it's entirely possible that she's doing it
primarily because it fits with her image strategy.
The actual story here is inevitably
overshadowed by the gimmick and the rewriting. It's
rather easier to mentally cut-and-paste Diana into this issue
than it was with the first part, and the story is more
successful as a result. But the sheer oddity of both the
story and the circumstances in which it sees print are very
hard to see past.
Rating: B
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