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Finally for this week's X-books, X-Men
wraps up "Bizarre Love Triangle."
God, Peter Milligan's run on this book is
frustrating. You can see where he's coming from, and the
ideas are often interesting. But it's melodramatic soap
opera filtered through Milligan's unusual sensibilities, and
the result is a downright strange book. On one level,
it's a comic which is more about the ideas than about the
actual characters. On another, it's a book where
everybody acts in the slightly stilted fashion of X-Statix,
only here, it's not meant to be funny.
Milligan's writing is very much an acquired
taste. And strangely, it's often easier to digest in his
weirder comics, where the whole thing is utterly divorced from
reality. In that sort of context, it seems almost
natural for the characters to be acting in a slightly
artificial way. In a more straightforward soap like
this, it actually feels weirder. It clashes. The
thrust of what the characters are doing isn't particularly
unusual, but Milligan seems compelled to keep up the ironic
distance. When a soap character asks "Do you have any
idea what that did to me?", the usual answer is not "At a
guess, I'd say a complex set of conflicting emotions."
Much depends on whether you find this sort of thing amusing,
or whether it just makes you want to throttle Milligan.
I rather like it, but I can easily see why somebody might not.
It's worth pointing out that, although it
did have a villain in the form of Mystique, "Bizarre Love
Triangle" has basically been four straight issues of the X-Men
sitting around the Mansion and chatting about their
relationships. It's really a bit long for that sort of
thing, especially when you consider that the arc ends with
Mystique running off into the night, positioning this more as
the first stage in a longer-term storyline. Four
straight issues of soap is surely pushing it.
But Milligan does write a very good scene
with the X-Men voting on Mystique's petition for membership,
which actually gives everyone something to do. Strangely
enough, the one thing nobody really gets into is whether
Mystique's application is sincere, but there are plenty of
other nice points being made. It's also a pleasant
change to see one of the X-Men books actually acknowledge the
existence of the other two teams for something more than a
cameo, as Nightcrawler duly turns up to react to his mother's
arrival.
I'm torn on this one, really. It's
deeply flawed, it goes on too long, and it'll probably annoy
the hell out of at least half of the audience. But I
really do find myself enjoying it, in spite of everything.
Rating: A-
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