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X-Force, then. What can you
say about X-Force?
Let's be blunt. X-Force is a
review-proof comic. To say that X-Force is bad
would be... well, somewhat beside the point.
Does it fail, when judged by conventional
criticial standards? God, yes. The plot is
rudimentary, obvious plot problems are simply (and cheekily)
glossed over, characterisation is virtually absent (though to
be fair, Liefeld at least seems to have had a serious stab
with Shatterstar), and the art is... Oh lord, the art.
The art.
The incredible thing about Liefeld is that
after all these years, many of the basic fundamentals of art
still seem to elude him altogether. When you open the
book, look at the first page, and realise that Liefeld has
inadvertantly drawn a midget on a giant horse, it's almost
reassuring to see that he still hasn't grasped concepts of
proportion or perspective. There's a delightful panel of
Shatterstar confronting some monks on a cliff edge which would
just about work if Liefeld hadn't shoved a mountain in the
background which seems to be a good 90 degrees away from where
it should be. Perhaps he's been studying his cubism.
I wouldn't want to speculate on why Cable
now has a flip-top hand. And he seems able to simply
produce his Psimitar from nowhere, despite the fact that it's
a bloody great stick, seven feet long. Or thereabouts -
it's hard to tell with Liefeld. To be fair, he can still
do a decently kinetic action sequence, and the looser edge to
his pencils is probably for the best. But he's a
one-trick pony, and you can't build an entire comic around
that one trick.
But really, who cares? To say that
X-Force is a bad comic is like saying that a tricycle is
inadequate for drag racing. Of course it is, but if you
wanted a drag racer, why the hell did you buy a tricycle in
the first place? Equally, if you wanted anything
remotely good, why on earth did you pay money for an issue of
X-Force?
At this point in his career, Rob Liefeld
comics basically sell to four types of reader:
1. The Morbidly Curious. How
crap will he be this time? The more outrageously inept,
the better.
2. The Mockers. People who want
their sneering to be a little better informed.
3. The Completists, Who Only Have
Themselves To Blame.
4. Genuine Rob Liefeld fans, who
almost by definition do not subscribe to conventional
standards of quality (or at least, not exclusively so).
There used to be a fifth constituency
(people buying other comics who had to read a Liefeld story
because it was a key part of a crossover), but in the modern
context they no longer apply. So the only people
actually reading this comic are completists, people who
actively want it to suck, and people who aren't really looking
for quality in the conventional sense anyway. If those
are the only people reading, it seems almost futile to point
out that the book fails to achieve standards of quality which
neither its creators nor any of its readers were seriously
hoping for in the first place.
The cynics will find the book well down to
the usual standards they were hoping for, although it's not as
bad as something like Captain America. The
genuine Liefeld fans are perhaps another matter; they'll get
the rudimentary plot and the art they were after, but they
might be a little disappointed that this is really just a
Cable and Shatterstar story at this point, without the rest of
X-Force and without any brightly coloured supervillains to
fight.
But the readers will get what they were
wanting from the book. Even the completists, who have a
lump of paper that they can shove in a box and never, ever
need to look at again...
Of course, if you're not a completist, you
don't want to laugh at how bad it is, and you don't think Rob
Liefeld is a misunderstood genius, then this is not for you.
Run to the hills and don't touch the book with a ten foot
bargepole.
Rating: C-
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