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This week's obligatory comic drowning in
adverts is X-Factor #13. Now, we have two whole
months of this stuff, according to Marvel, and if I write
about it at length every time, it's going to get terribly
repetitive. So I'm not going to do that. I care
about your reading experience. A novel concept, which
Marvel might care to give thought to.
"Re-X-aminations" is a sequel of sorts to
1993's X-Factor #87 ("X-aminations"), in which Doc
Samson psychoanalysed each member of the team. Here he
does it again with the current roster. Peter David has
chosen to keep the formula where Samson's identity isn't
revealed right to the end of the story. Presumably
that was just done for the structural parallels, since
Samson's shown on the cover, and it wouldn't take much
imagination to identify him anyway.
The original story is a minor classic,
and it gives this issue a lot to live up to. After
all, the original has Quicksilver's wonderful explanation
for why he's always so annoyed - he lives in a world
composed exclusively of slow-moving queues. There's
nothing comparable to that here, although David does take
the opportunity to clarify the characters of Layla and M in
a reasonably intriguing way, as well as furthering Rahne's
subplot.
On the letters page, David contributes an
odd little spiel saying that he can't work out why people
were critical of Layla when she made her debut in House
of M. This is an odd observation. Quite
aside from the fact that Layla was nothing more than a plot
device on legs in that story, and signally failed to be
interesting in any way whatsoever, David has given her new
powers, a new demeanour, a new personality, and even
jettisoned the brief glimpse of her real life in House of
M #8 by dismissing it as a dream scene. At the
very least, it seems he looked at House of M and saw
room for improvement. And he really has improved her.
She's still essentially an enigma, but now she's an
intriguing one, and stories like this continue the slow task
of building her into a proper character. David
inherited a blank slate with Layla Miller, but he's written
something interesting on her.
These psychoanalysis stories aren't as
straightforward as you might think. It would be very
easy for them to topple over into tedious exposition where a
character stands around patiently explaining their
personality. That sort of thing would be an egregious
violation of the "Show, don't tell" principle of writing.
But Peter David knows better than that, and writes scenes
where the real interest lies in what the characters choose
to reveal, and the fact that the way they see themselves
isn't necessarily right.
It's not an instant classic on the level
of the original, but it's still a very good issue in its own
right. The adverts, of course, are a major problem -
even flicking through the issue while writing this review is
a downright aggravating experience - and I don't for a
moment recommend that anyone even consider buying this issue
in single format. Wait for the trade. Still, as
an episodic collection of scenes, it suffers less than many
stories - though it still suffers.
A good issue, which would probably have
got an A- if it wasn't for the format problems.
Rating: B+
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