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Finally for this week, X-Treme X-Men
#45 - the penultimate issue of the series, and the conclusion
of "Prisoner of Fire." This has been a thoroughly
lacklustre storyline, and I'd rather hoped that it might be a
momentary lapse into old ways. Unfortunately, upcoming
solicitations lead me to suspect that Claremont is just going
to keep hammering away at that mind-control theme until
everyone is thoroughly sick of it.
This seems to be an epilogue after Bogan
was largely disposed of last issue. Another skirmish,
another mind control scene, the building gets destroyed, the
villain escapes again. Oh, and there's a really clunky
scene about Callisto's sexuality. Plus a really awful
scene where Kitty tells us how we were supposed to work out
that Rachel, not Psylocke, was Bogan's enslaved telepath.
Uh, the fact that Psylocke's been dead for three years would
seem a fairly compelling count against her, but for some
reason nobody mentions this even when discussing her as a
possibility.
Meanwhile, Bogan still has no personality
beyond "evil and manipulative" - even after six solid issues
devoted to him. His powers don't even make any real
sense. He can possess people but, uh, needs a telepath
to possess them... and he gets a telepath by possessing her.
If he can reach all these people anyway, what does he need the
frigging telepath for? Additional control? What
does the telepath actually do? I could speculate, but I
honestly don't know - and given that the X-Men apparently do,
I can only attribute that to a failure of exposition.
Given that the average Claremont character
delivers half a page of expository dialogue every time they
get up to go to the toilet, it's fairly astonishing that he's
managed to do half a year's worth of material about this
character without at any point properly explaining him.
This is drivel. And it's drivel on
autopilot, which is worse still. Plus, much as I like
Kordey's art generally, it's not exactly pleasing to the eye
either. But that's not the main problem. The main
problem is that the issue comes across as lazy and complacent
- the same old same old, and proud.
Rating: D+
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