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It's another very quiet week -
aside from the final issue of First Class, everything
is in mid-storyline. But it's also a singularly dull
week outside the X-books as well, to be honest. So,
more by default than anything else, I've thrown in
Wolverine #53. At least it's meant to be a major
title.
I haven't been greatly
impressed by Jeph Loeb and Simone Bianchi's run on this
title. Its strongest feature has been the art, which
is undeniably beautiful. But while Bianchi knows how
to produce a striking image, he's not so great at stringing
them together. The panel-to-panel storytelling is hit
and miss. When it hits, the book looks magnificent.
When it misses, though, it misses by a mile, producing a
clumsy jumble of confusingly arranged elements.
Still, at least you get some
lovely pictures along the way. The
story has much more fundamental problems. Jeph Loeb
broadens his canvas here and attempts to explain not only
the link between Wolverine and Sabretooth, but also the
preponderance of mutants with vaguely animalistic powers.
Loeb doesn't make a very convincing case for the latter
point, in his choice of characters. Wolfsbane and Wild
Child are fair enough. Thornn and Feral would be
reasonable illustrations if it wasn't for the fact that they were
cats, not wolves. Besides, they lost their powers on
M-Day - and this being a comic edited by Axel Alonso, I have
precisely zero faith that the continuity error is
intentional. Sasquatch's inclusion on the list is just
baffling, since his powers are magical. Or, if you
prefer the original version, he had yet another accident
with radiation. Either way, he's not a mutant.
The angle here, ludicrous as it
may seem, is that all these vaguely-related mutants somehow
provide evidence of a parallel evolutionary strain descended through
wolves. No, really. That's the idea.
And Loeb doesn't exactly endear
himself to me by having Wolverine immediately challenge the
very concept of evolution. Now, I suppose to an extent
you've got to expect this sort of thing when it comes to
American pop culture. With the best will in the world,
there are broadly three categories of people who don't
believe in evolution these days: people with very strong
religious beliefs, people from countries with dreadful
education systems, and citizens of the United States of
America. Wolverine, being a Canadian, is none of the
above, and he's generally written as non-religious if not
outright atheist. And if he seriously had fundamental
doubts about this whole evolution thing, you'd have thought
it would have come up during his thirty year membership in
the frigging X-Men, given how fundamental it is to the whole
mutant question. It's difficult to imagine a less
appropriate person to raise the issue.
Loeb also seems to be
suggesting that Sabretooth's uncontrolled behaviour is the
result of his being older, and that Wolverine will
eventually deteriorate in the same way. Except we've
had decades of character development with Wolverine going in
exactly the opposite direction. This whole idea seems
to be misreading the character on a fundamental level.
Anyhow, let's leave that aside
and consider the idea on its merits, such as they are.
What Loeb seems to be proposing here is broadly a cross
between two very bad ideas from the past. First, he's
reviving the old "Wolverine is really an evolved wolverine"
idea, which Marvel toyed with briefly in the mid-seventies
before thinking better of it. Second, he's using the
idea that mutants with similar powers form a sub-species.
Well, that idea was stupid when Chuck Austen did it in
"Dominant Species", and it hasn't improved with time.
This being part four of six, of
course, it's entirely possible that Loeb is merely teasing
this idea, and plans to go somewhere else. But that
wouldn't greatly improve this story (except in the sense
that it would do less damage). Even on that charitable
reading, it would still be a story that teased a dreadful
idea, and had little else to offer.
This is poor. So far,
Loeb has done little to justify his star status.
Rating: C-
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