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Wolverine #183 is another
double-sized issue, this time for no discernible reason other
than to include a back-up strip.
Let's start with the lead story,
though. The general idea of doing crime stories with
Wolverine is perfectly sensible. On the other hand, this
story does wear its influences on its sleeve. If the
cover wasn't obvious enough, the story's named after a lyric
from the theme tune to the Sopranos.
Incidentally, I've never been able to take
that song seriously. For christ's sake, it's by Alabama
3. They were a frigging novelty act, for god's sake.
They used to wander around London claiming to represent the
Church of Elvis Presley. They had a song called "Hypo
Full of Love." Their biggest hit was "Ain't Goin' to Goa",
which featured a Londoner affecting a Deep South accent and
lecturing listeners about the evils of marijuana. I just
can't associate this bunch with mob violence, no matter how
much I try.
Anyhow, what we have in this
issue is a jarring clash of tone. On the one hand, the
story seems to have designs on being a straight crime story.
On the other hand, the Roman turns up this month, and appears
to be on loan from an Adam West episode of Batman. The
idea of a criminal dressed as an ancient Roman, and feigning
insanity in order to distract public attention, is not
inherently a bad one. But it really doesn't fit with the
rest of the story. It's rather too silly. I
suppose it's possible that the main plot is supposed to be
funny, but it reads more like it's just derivative, rather
than an intentional (and unfunny) pastiche.
It's not bad, but it strains
credibility to the limit, for no real reward.
The back-up strip sees the return
of Matt Nixon. It's a vehicle for Ryan Bodenheim, the
winner of the 2002 Wizard World art contest. As you
might expect, Bodenheim's work is rough around the edges, but
his layouts are pretty effective, and he does do a rather good
Wolverine. The quieter scenes are a little bland, but
there's certainly potential here.
Unusually, this story actually
tries to tie up a stray plot thread, namely the feud with Lady
Deathstrike. Nixon flags up the internal contradiction
in the character (that she's supposed to hate Wolverine and
yet has undergone extensive body modification in order to make
herself more like him) and argues that she can't actually
bring herself to kill him when the chance presents itself.
It's not an unpersuasive approach to the character, all told.
The plotting is ropey - am I seriously expected to believe
that she outran a motorcycle, on foot, for three miles? - but
the basic idea is okay.
Overall, a mixed issue, but still
with some promise.
Rating: B
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