|
|
|
Wolverine's monthly title
is now effectively a series of miniseries, with completely
different creative teams coming on for each arc, and largely
ignoring what's gone before. The latest contributors
are writer Jason Aaron and artist Ron Garney, who are
responsible for the book's "Divided We Stand" arc.
As we've come to expect when
Wolverine participants in a crossover, this story is off
on the margins somewhere. Apparently, Mystique somehow
escaped at the end of X-Men #207, which doesn't make
a tremendous amount of sense, since as I understood it, her
mind was absorbed by Rogue... but whatever. It doesn't
seem to have done her any harm, and as usual, neither the
creators nor the editors seem to register that this might be
in some way anomalous.
Wolverine goes after her, and
that's basically our story. It's Wolverine as hunter
with Mystique on the run, and it's all intercut with
flashbacks to their first meeting as friends back in the
1920s.
This is a strange comic.
Jason Aaron is best known for his work at Vertigo, but he
wrote an excellent fill-in issue last year which suggested
he was a good match for the series. And for the most
part he is; he's got the voice down perfectly, and his story
is a tightly paced affair where the jokes work and the
shocks pay off. It's a simple premise: Wolverine hunts
down the shapeshifter, and isn't quite sure which person is
her. Ron Garney is also at home on the book - he's a
great artist for action stories, and Wolverine is precisely
the sort of character who works in bold strokes.
And yet it feels a little off.
Obviously, a part of that is the fact that the story doesn't
actually seem to fit with the "Messiah Complex" plot thread
which it's supposed to be continuing. But more
fundamentally, Aaron is going for the idea that Wolverine is
especially determined to get Mystique, and that he's
implicitly as bad as she is. So we've got him
accidentally killing the wrong person after mistaking her
for Mystique, which begs two questions: one, er, how?
And two, shouldn't he be a little more bothered about this?
In fairness, judging from
Aaron's interviews, Wolverine's behaviour in the present-day
sequences seems to be at least partly intentional. So
I'm open to the possibility that it'll make sense by the end
of the story. But for the moment, it just feels a bit
weird, and frankly out of character. Obviously, that
knocks the book down a few marks.
Leave that aside, however, and
it's a well-executed chase story, well paced and
convincingly handled. I'm prepared to give Aaron the
benefit of the doubt for now and assume that there's a clear
reason behind Wolverine's slightly uncharacteristic
behaviour. On that basis, it's a good issue.
Postscript: Yes, alright, as
several of you have pointed out, I completely misread the
final scene. The idea is that Mystique is
impersonating Wolverine in the opening, which makes perfect
sense. It's a little confusing in the execution, but
to be fair, it's there if you're paying attention. Oh
well, nobody's perfect.
Rating: A
back |
continue |