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Uncanny X-Men #445 is the second
Claremont/Davis issue.
For the moment, the plot seems to be
following two completely unrelated threads. The first
half of the book follows Nightcrawler and Wolverine trying to
carry out their XSE jobs and being met with complete lack of
co-operation from the cops. Well, not so much lack of
co-operation. The cops beat them up. It's not a
good day for Logan and Kurt.
We've seen the basic idea before - the
X-Men try to do good, but the anti-mutant bigots won't accept
them. Still, this is meant to be a jumping on point.
No harm in re-establishing the basic ideas, and showing how
they apply to the XSE.
Over in the second half of the book,
Rachel, Bishop and Sam head to England to visit Brian
Braddock, and end up in a fight with the Fury. I'm in
two minds about this. The Fury is a fairly obscure
Captain Britain villain, originally created by Davis and Alan
Moore. It's a robot that kills superheroes. That's
all it does. It's only ever fought Captain Britain (and
succeeded in killing him).
There are good reasons for that. The
nature of the character is that it leaves a trail of superhero
corpses behind it. Of course, it can't go around killing
the title characters in most books because they're needed for
the next issue. So it's virtually impossible to use the
Fury without watering down the concept. Similar problems
have dogged the Juggernaut, who's supposed to be unstoppable,
but in practice gets stopped on a regular basis, to the point
where his claim to unstoppability became worthless.
Unless you're prepared to throw the Fury some characters to
kill, it's hard to use it without compromising what made it
cool in the first place.
Cannonball appears to be the designated
victim this issue, which would at least explain why he was
omitted from the recent Official Handbook. But
given that the Fury is thinking about "assimilating" Sage
rather than killing her, I have a sinking feeling that the
character is going to end up being watered down enormously.
Even Cannonball can't actually be dead, given that he's due to
be in X-Force in a few months time.
That being said, this is still some of
Claremont's better recent work - his dialogue quirks aren't
too prominent, the characters are comfortably familiar, and
the pacing's pretty good. Davis' art is also a big
selling point. While the first issue looked a little
awkward, this is much more comfortable. Dodgy costume
design aside, this has got some beautiful work, helped by an
impressive colouring job from Frank D'Armata.
Pretty good.
Rating: B+
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