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Over in Ultimate X-Men, the Ultimate
version of Emma Frost gets her proper introduction.
Ultimate Emma is the acceptable face of
mutants - a character even more pacifist than Xavier.
She's all for Xavier's view of a world where humans and
mutants live in harmony, but thinks the X-Men thing is a bit
of a mistake. Having mutants running around punching one
another is not exactly going to set people's minds at ease.
So what Emma offers as a PR replacement for the X-Men is a
bunch of mutants to whom the kids can relate, and who won't be
doing much fighting at all. People like Dazzler, a
mutant rock star who will not be fighting crime in her spare
time. She'll just be a mutant rock star.
This is all actually quite interesting, on
two levels. For one thing, the idea plays nicely off the
X-Men concept. They're meant to be pacifists, they're
meant to be out there pushing for their vision of a better
world, and for some reason this means dressing up in costumes
and fighting people. There's always been an awkward
tension between the requirements of the superhero genre and
what the X-Men are actually supposed to be trying to achieve,
which has been one of the things Grant Morrison's been playing
off. Emma's idea of a completely non-combatant X-Men
actually makes a degree of sense, in this light.
Separately, Bendis is also playing off the
fact that Emma is a character whose goals are obviously
suspect because of what we know of the original character.
Bendis neatly raises suspicions further by having Emma claim
that her only power is crystal skin. Is she lying, or is
Ultimate Emma genuinely different? We've only got her
own word for it, and we're hardly going to trust her.
It's one of those interesting areas where the character's
existence in a prior incarnation unavoidably affects how you
read the story, and Bendis subtly plays off that to add
dimensions without doing anything that would confuse readers
unfamiliar with her.
Bendis continues to wheel out new
characters, with references to Wolfsbane, Bishop, Blink,
Callisto and - most importantly for purposes of this book -
Havok and Polaris. Most of these are just throwaways,
but Havok in particular is clearly coming to the plot soon.
But Bendis doesn't seem to be leaving much
time to deal with all of these plots he's introduced.
He's only got two more issues to go before Reload. After
that we're getting a fill-in arc by Brian Vaughan, followed by
a shameless piece of attention-grabbing with Bryan Singer
Presents Two People You've Never Heard Of. There are
lots of good ideas being thrown out here that could keep
Ultimate X-Men in plots for years to come. Vaughan
has indicated that he'll be doing something based on fallout
from Bendis' stories; it'd be disappointing, to put it mildly,
if the Singer issues threw all of this away in favour of some
kind of film tie-in.
I may be a little premature in having these
concerns. But with two relatively short, finite runs
coming up, I can't escape my worries about the future
direction of the title - specifically, whether it's actually
going to have one. Still, this is all good stuff.
It's just a shame Bendis isn't sticking around longer.
Rating: A
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