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THE CREATORS: Brian Vaughan and
Stuart Immonen, except for one fill-in issue by Steve Dillon.
WHAT HAPPENED IN 2005: "The Most
Dangerous Game", with Ultimate Longshot; Professor X
humiliates a mutant bank robber; "Shock and Awe", introducing
Ultimate Lady Deathstrike; and "Magnetic North", tying off all
the loose ends from Vaughan's run.
Ah,
Ultimate X-Men. It's finally shaken off the
excessive cynicism of the early issues to become a book that
recaptures the fun of an earlier X-Men era.
Without in any way lifting the surface
trappings of a 1980s Claremont comic, this is the only monthly
X-Men title that truly provides that sense of a family living
together. No hordes of students, no multiple teams that
never talk to one another. Just a simple, straightforward set
up with a manageable number of characters, strong
relationships, and good solid adventure storytelling.
A team book, in other words. Remember
when the X-Men were a team, not a franchise operation?
Vaughan and Immonen do, and that's what they're providing
here. The classic formula, given a polish for the
twenty-first century.
This run has really crept up on me, since
I'd partly given up hope on Ultimate X-Men as being
saddled with Millar's poorly conceived versions of the
characters. But they've now been fleshed out into
genuinely believable characters for the first time, and
Vaughan leaves a book massively improved from the one he
inherited. He may be best known in critical circles for
Y: The Last Man and Ex Machina, but with this
title and Runaways, he's also displaying a far surer
grasp on the team book format than many of today's writers.
At the same
time as providing a straight ahead superhero story, though,
they've also been teasing longtime viewers with unexpected
revisions of old characters. Ultimate Longshot is
initially introduced as a mutant who's been framed for murder,
only for the last issue to reveal that he's actually a
murderer after all. There's another very effective twist
ending in the last issue of "Magnetic North", too.
All told, Ultimate X-Men has quietly
become my favourite X-book of the year - the most consistent
in terms of quality, and the one that best captures what made
the X-Men such a success in the first place. This is the
best example Marvel have of what an X-Men comic should be
like.
But Vaughan's run is over now, and with the
Bryan Singer run pushed back once again - does anyone really
still care, at this point? - we're getting Robert Kirkman
instead. I've yet to be impressed by his Marvel work, so
this doesn't strike me as encouraging news at all.
Still, his fans assure me that his non-Marvel work is much
better, so maybe he'll find his feet with this one. I'm
not holding my breath, though.
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