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Wolverine: Origins #20 is
the conclusion of a five-part flashback to World War II,
which has the happy side-effect of allowing the book to use
the popular-yet-dead Captain America.
In fact, this story hasn't done
a great deal to advance Daniel Way's overall conspiracy
storyline. That rather suggests that it exists for the
primary purpose of guest starring Captain America. Not
that I object to that, mind you. Precisely because
it's been relatively light on the insane conspiracy theories
for most of its length, this has been one of the more
readable storylines to date.
The plot basically involves
Logan meeting up with Captain America and Bucky in World War
II, and tagging along when they go after Baron Strucker,
only to find out that his handlers are actually on the other
side. For the most part, it's been a perfectly
acceptable superhero/war story, building on Ed Brubaker's
idea that Bucky wasn't just a kid sidekick - he also handled
the stuff that needed to be deniable.
So we get a story where
Wolverine meets a proper, full-blown hero, and a flawed
sidekick who's a bit more like him. This all works
reasonably well. Unfortunately, you can't have it all,
and with the final story, Way ends up back in conspiracy
territory. In some ways, his finale is a rather clever
way of writing himself out of a corner. But it doesn't
really work as a continuity implant, because it strains
credibility that something like this would never have come
up before. ("Say, Logan, remember that time you
betrayed me to the Nazis...?") It's too fundamental to
any future trust between Captain America and Wolverine, and
for that reason, it doesn't ring true.
The storyline is also a bit
overlong at five issues. But that's a relatively minor
point; it does hold together quite well, and the pacing will
work better in the trade.
In most respects, this is
probably the best Wolverine: Origins storyline to
date, taken as a whole. But the conspiracy elements
are still an irritant, and the final issue suffers badly
from a finale that, although reasonably clever on its own
terms, feels downright wrong in any wider context.
Rating: C
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