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Mystique #6 concludes the opening
storyline for one of the more successful Tsunami books.
Not, admittedly, that "one of the more successful Tsunami
books" means a great deal. But Mystique has done
alright in terms of sales. For those of you don't follow
the charts, the title's sales appears to have stabilised
(unusual in itself for a Tsunami book) at around the level of
Exiles and Punisher, which should make it
comfortably safe.
Actually, to call these first six issues
the opening storyline is a little questionable. "Dead
Drop Gorgeous" isn't so much a story arc as the name that
they'll be giving to the first trade paperback. Unlike
some of the other recent Marvel launches, this book does look
as though it's being written primarily for the monthly title -
the opening six issues aren't really a single storyline at
all, but contain a set-up for the series, an entire story set
in Cuba, and a couple of subplots providing material for
issues to come. The book even introduces a new storyline
in its last few pages, something that's been rather out of
fashion ever since an obsession with trade paperbacks became
the norm.
This might explain why, despite a six issue
length, "Dead Drop Gorgeous" hasn't seemed quite as insanely
decompressed as some other books. The actual Cuba story
only covers around four issues. And in fairness, it
could have stood to lose one of them - this and the previous
issue could have been conflated quite happily.
Nonetheless, writer Brian Vaughan has done well with a
reasonable opening storyline that's given him an opportunity
to establish his take on the character. She's an
interestingly ambiguous heroine, which provides plenty of
possibilities - she's a criminal, but she's not nuts, and as a
result she has plenty of common ground with both Xavier and
his enemies. There's also a nice mix of letting her
outwit opponents while still leaving holes in her plans so as
not to make her too perfect.
Vaughan has always struck me as more of a
character writer, and it's a pleasant surprise that he's done
this well with an action story. Artist Jorge Lucas has
also done better than I'd expected; he's not the most flashy
artist in the world, but he's a very solid storyteller, able
to handle the action sequences while selling the quieter parts
of the story. Thankfully, he's also not drawing Mystique
as a bimbo, although anyone who thinks that would be a good
idea will be pleased to hear that the next arc is getting Greg
Horn covers.
Mystique isn't a sensational book,
but it's a solidly above average one - decent thriller stories
combined with superior characterisation, which should be more
than enough to keep the audience happy.
Rating: B+
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