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Simon Garth, the Zombie, was originally a
character from a 1953 horror story by Stan Lee and Bill
Everett. He was briefly revived in the 1970s for the
short-lived Tales of the Zombie, where he appeared in
stories with titles like "When the Gods Crave Flesh!"
To be honest, for readers of my generation, he's mainly
notable for being the penultimate character in the
Official Handbook.
Now, he's brought back as part of the
unexpectedly revived Max imprint. For a while it
looked as if the Max line was being run down, with only
Punisher still going, and Supreme Power
relaunched as a new Squadron Supreme title. But
now there's a whole range of new Max titles in the pipeline.
In fact, when you throw in Marvel's recent deal with Dabel
Brothers, they seem to have a renewed interest in
non-superhero comics right now. (It must have helped
when the sales figures for Squadron Supreme came in
and they hadn't gone up at all, firmly squashing the notion
that a "mature readers" logo was holding the book back.)
Mike Raicht and Kyle Hotz are the
creators tasked with reviving this minor character, and
their solution is... well, frankly, not to bother. The
original Simon Garth was a businessman who was killed by a
disgruntled gardener called Gyps (oh yes), raised from the
dead by his loyal secretary Layla, and wandered around
random stories being controlled via a magic amulet. In
this version, he's a beleaguered clerk kidnapped by bank
robbers just as a mysterious chemical spill causes a zombie
rampage.
Zombie count notwithstanding, this really
has nothing in common with the original character besides
the re-use of his name. He has a co-worker called
Layla and one of the robbers is called Gyp (singular, you'll
note), but that aside, it's all new. You have to
wonder what the point is of reviving a specific zombie
character if you're just going to re-use the name and do
Dawn of the Dead.
It's a B-movie zombie story, no more and
no less. In fact, it's so shamelessly B-movie that
there's even a role clearly reserved for Samuel L Jackson.
For what it is, it's alright, but nothing especially
memorable. Kyle Hotz ought to be a good artist for
this, since he's made the macabre his specialty. But
while it's okay, it's not his most inspired work, and
somehow he's blundered into giving Simon and Gyp virtually
identical character designs, making some scenes hard to
follow.
If you want a zombie comic that does the
usual, well, this is it. On that level, there's
nothing wrong with it, and it goes through the routine
competently enough. But it feels like it should be
doing a lot more.
Rating: B-
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