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Finally, Young Avengers, a book
which would appear to be the demented hellspawn of a hundred
committees.
Even writer Allan Heinberg acknowledges
that the origin of this book lies in Joe Quesada putting the
title to him, with no actual idea attached. It seems
that the mere idea of publishing something - anything - called
Young Avengers had found favour in Marvel solely on the
strength of the name. And Heinberg also seems willing to
admit that his first reaction was the same as everyone else's.
Because there aren't any Young Avengers, and there aren't any
characters to sensibly fit into that role, so the whole thing
sounds horrifically contrived and empty from the word go.
So as Young Avengers #1 hits the
stands, we have a writer and publisher promoting the book with
a pitch that boils down to "Yeah, we know it sounds like a
terrible idea, but honest, give us a shot." Which means
Marvel now acknowledge that the mere words Young Avengers
are not a very good concept, which begs the question of why
the hell they wanted to commission a Young Avengers
book in the first place when they didn't have anything other
than a name. Oh, and Marvel also now find themselves
with an Avengers spin-off book that bears no resemblance to
the revamped New Avengers title, and includes a
knock-off of a version of Thor that they've just killed.
And since all the characters are knock-offs of other Marvel
characters who have already been licensed independently, the
licensing possibilities of Young Avengers must be slim
to zero.
If anybody in Marvel has ever used the word
"synergy" in connection with this title, they should buy a
dictionary at once.
But you know what? It's actually not
bad at all.
Granted, it works in large part by
accepting head on that the whole concept is a bit ropey.
The kids are regarded as a bunch of wannabes; they're not
desperately good at what they do; everyone agrees that their
names are dreadful; and they're suitably horrified by the
media-coined "Young Avengers" name. Instead of trying to
sell us on the coolness of the Young Avengers, Heinberg gives
us a story from the perspective of the Pulse cast,
designed mainly to leave us wondering just who these clots
think they are.
And, a little to my surprise, I find I'm
genuinely interested to see where Heinberg is going with this.
There are some cute ideas in here. I rather like the
idea that the Marvel Universe simply doesn't do teen sidekicks
because its inhabitants woke up to the stupidity of the
concept when Bucky got killed. (Yes, it's a continuity
error, because versions of Bucky were active into the
mid-1950s. But it's a good idea, and I don't honestly
care that it contradicts a bunch of mid-70s stories designed
to awkwardly reinstate stories that Lee and Kirby deleted in
the early sixties.) There's some good interplay between
the Pulse characters, and the teen heroes come across as
endearingly crap rather than just annoying.
Jim Cheung has improved a lot during his
time at CrossGen, and returns to Marvel as a great artist for
this kind of material. This is a primary-colours
superhero book, and quite right too. Cheung gives the
heroes enough dignity and dynamism that they emerge as
likeable when they could easily have been buried.
Yeah, I actually liked this book.
Wasn't expecting to. Pleasantly surprised. It's
still a crap idea for a comic, but by playing off the weakest
aspect of the idea (ie, the fact that it's so crap), Heinberg
may have managed to turn it to his advantage.
Rating: A-
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