The X-Axis, 24 November 2002
Part 7 of 9: THREE DAYS IN EUROPE #1

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While I would have picked up Three Days in Europe anyway, on the general principle that it's a miniseries from Oni, I suppose I should do the obligatory disclosure of interest: Three Days is written by Antony Johnston, who is one of the editors at Ninth Art.

Antony has a shaved head and a website called Mostly Black, and so naturally his début for Oni is a romantic comedy.  I quite enjoy a romantic comedy now and then - my favourite film is Grosse Pointe Blank - but there's no denying that it's a genre which has been in a bit of a rut.  The traditional romcom plot, for some years now, goes like this: Boy meets girl, they fall in love, obstacles are placed in their path, love conquers all.  It's actually the same plot used for romantic tragedies, but with more jokes and less suicide.  See in particular the Nora Ephron Variation, where there is no external obstacle but the characters shy away from their destiny.  Thrilling.

Three Days uses a completely different plot, which is a nice start.  Jack Pentura and Jill Bascombe are already a couple as the story starts, and things aren't going too well.  Jack decides to book a romantic weekend in Europe as a surprise.  So does Jill.  Unfortunately, it's the same weekend, and a completely different city.

Contrived, you say?  Well, of course it's contrived!  It's a romantic comedy, for god's sake!  In fact, it's a classic sitcom misunderstanding plot, leaning on farce.  I'm all for more longform humour comics.  There's a desperate shortage.

Personally, my sympathy is entirely with Jill.  Jack is an arrogant sod who works in advertising, and she is plainly too good for him.  Fortunately, it's not entirely obvious where this story is heading, so I can still hold out hope that she will buck genre conventions and leave him in favour of somebody more suitable.  We can but hope.

Mike Hawthorne's art gives Jack and Jill the look of Hollywood leads from fifty years ago.  Despite the contemporary art jokes in the opening scenes, this feels strangely appropriate - the book has a strangely timeless feel.  After all, romantic comedy is timeless.  That's sort of the point.

Good start, and the sort of comic you really could give to somebody who doesn't read comics.

Rating: A

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Copyright 2002 Paul O'Brien.  All characters and publications   This web site is a work of critical comment and review. All characters and publications referred to, and artwork reproduced, are ™ and © their respective owners.
 

THREE DAYS IN EUROPE #1 (of 5)
Oni Press
November 2002
$2.95 US / $4.50 CAN

Writer: Antony Johnston
Artist: Mike Hawthorne
Editor: James Lucas Jones

LINKS
Oni Press
Antony Johnston
Mike Hawthorne
Ninth Art