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Finally this week, the Oni
Press Color Special 2002. Oni have been producing these
things for a few years now. They're anthologies which usually
combine a couple of comedy stories, and material spun off from
a variety of their recent and upcoming series.
Warren Ellis, Phil Hester and
Ande Parks contribute "Friday I'm In Love", which is nominally
an Operation story but is actually this year's obligatory
inter-character comedy crossover. Apparently there's going to
be more Operation stories to come, although it's not clear
from this whether it's going to be a comedy concept generally
or whether it's just being played that way for present
purposes. They come across here as a Men in Black type
organisation monitoring weirdness around the world, which
isn't the most original concept, but works quite well here
when it's played for laughs. Hester and Parks play deadpan on
the art, which is usually the best way with this kind of
material.
Gail Simone and J Bone's story is
a four-page comedy piece, "The Big Snobby Git." It's a neat
jab at American Anglophilia - with obvious comics fandom
overtones - and pretty much accurate, if you ask me. (Here in
Scotland, Anglophilia is not a widespread problem.)
"One Plus One" by Neal Shaffer
and Daniel Krall is a trailer, albeit for a miniseries which
is actually on the schedules for September. Given the nature
of these stories, it would probably have been an idea to put
some kind of reference to the actual series at the end of the
story itself - as it is, many of them read rather oddly if
you're expecting them to work on their own. While this is very
nicely illustrated, it reads like four pages randomly excised
from the first issue, and it doesn't hold up all that well in
isolation.
"Technorganic: Mechanized Fate"
by Sabina Ex Machina and Steve Rolston is a vignette about a
robot escaping its programming. I'm not certain whether this
is a trailer for an upcoming series or not - it reads like
one, but there's no mention of it anywhere that I can see.
It's a cute idea, which doesn't feel like it's been fully
explored here. Fine if it's a trailer.
Christine Norrie, the artist from
the first Hopeless Savages mini, does a Kung-Fu Space
Girls four-pager. Judging from her website, this seems to be a
set-up for something bigger, although again it's not
desperately clear from this issue alone. One of those "cross
two concepts and produce something knowingly ludicrous"
things, and I can see it making for an amusing mini. Norrie's
art works well with the flat, animation-style colouring she's
used here.
From Ted Naifeh, there's a
prequel to Courtney Crumrin & The Night
Things, which is one of Oni's titles aimed at younger readers.
This is a nice little piece, which strikes the right balance
between acting as a trailer and containing its own mini-plot.
Phil Hester and Mike Huddleston,
the creative team from the rather good Coffin
miniseries, produce "Vacant", a story about a homeless man
who's largely abandoned his body in favour of astral
projection. Quite a strong idea here, and excellent artwork.
Probably the best thing in the issue.
Gary Phillips arguably misses the
point of a colour special by producing a text piece which acts
as a prequel to his Shot Callerz miniseries, with
illustrations by Brett Weldele. As with the comic, it's not my
sort of thing, and to be honest, I didn't finish it.
It's good within its genre, but it's just a genre I'm not
interested in.
Christian Gossett and Bradley
Kayl of Team Red Star make a rather drastic shift of style
with their story, a teaser for an upcoming Buddha Master &
Angst Man miniseries. It's a proudly incoherent story,
more about conveying the attitude of the series than actually
making any sense. However, it's genuinely funny, and newcomer
artist Aaron Horvath gives it a suitably exuberant and
mock-innocent look. Promising, although the actual series
isn't scheduled until 2003.
Finally, there's a two-page
vignette from Bryan O'Malley trailing next year's Lost At
Sea mini (which is a nice little monologue about blurred
vision but doesn't really get enough space to make much of the
characters) and a frankly cryptic one-page strip by Kelley
Seda which soars gently over my head before colliding with the
back wall in an ugly fashion.
Anthologies are inevitably a
mixed bag, and the main negative with this collection is the
inclusion of several trailer stories which aren't all that
effective when you take them in isolation. And given that most
of this year's stories is trailing books which haven't been
published yet, it's not like I have much choice in the matter.
It's also a mild irritation that it isn't immediately apparent
which of these stories are trailer and which, if any, are
supposed to be solely self-contained. Given that part of the
point is to promote the miniseries, you may as well be obvious
about it rather than relegate it to a page of "meet the
creators" at the back.
Nonetheless, Operation, "Big
Snobby Git", "Vacant" and the Team Red Star stories all hit
the mark, and there are several others which make for
interesting adverts. It's patchier than some previous years,
but still a nice survey of Oni's wide-ranging output.
Rating: B
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