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Vertigo's latest ongoing series is
Northlanders, a Viking story by Brian Wood.
In many ways, this is perhaps the most
commercial thing Vertigo has tried in a while. There
are big violent guys with axes. They use them against
one another. There is blood and violence and death.
You won't find any transgendered tarot enthusiasts in this
book.
Sven of Orkney is a Viking who left his
hometown years ago, on the entirely understandable grounds
that it's a godforsaken dump and the weather is terrible.
Instead, he's set himself up in the Constantinople region,
where the relatively modern and civilised locals are much
more to his taste.
On learning that his father has died, and
that he should have inherited the town, Sven returns home.
Not because he wants to rule the town, though. He's
just planning to pick up his gold and head straight back to
Constantinople.
Generally speaking, the key to historical
dramas is to find an angle that's still relevant today.
With Sven, it's a story about a character returning to his
home town, believing that he's moved on. That's the
hook, and Wood sells it convincingly. What's perhaps
more interesting is how he engages our sympathy in Sven, who
really doesn't do a great deal to earn it. True, he's
been screwed out of his inheritance, but his plans for it
aren't exactly noble.
It works, I think, partly because Sven is
our point of view character, and we can readily understand
why he doesn't want to return to this dreary grey wilderness
where the only colour comes from his clothes. But
there's some playing with audience expectations as well.
We all know he's going to stay; he's the lead character in a
book about Vikings called Northlanders. So we
can forgive him an awful lot, because we know there's a good
chance he'll be changing his attitude and staying, sooner or
later.
Artist Davide Gianfelice draws fantastic
Vikings, and provides some wonderful visuals. The art
is strong enough to retain its power despite the
all-pervading grey. And colourist Dave McCaig wisely
eschews the normal Vertigo palette of muddy brown,
selectively dropping bright colours onto the page when it
makes sense to do so.
This is a good first issue. Okay,
perhaps I'm giving it the benefit of the doubt that Sven
will turn into a more sympathetic character - but somehow, I
feel that it's a safe bet.
Rating: A-
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