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After their unfortunate obliteration in the
opening pages of Civil War #1, the New Warriors are
back. In fact, it always looked as though Marvel were
leaving the door wide open for a return.
The delapidated team that they killed off
was down to four members, one of whom survived, and one of
whom was Microbe. That left only Namorita and Night
Thrasher as potentially deceased major characters. And
you could always do the New Warriors without the Sub-Mariner
knock-off, or the guy who fought crime on a motorised
skateboard.
But the New Warriors also had a more
fundamental problem. They were a bit of a non-concept.
Although their original series had a respectably long run,
it was driven mainly by affection for the individual
characters, and the appeal of the stories Fabian Nicieza was
telling. There was never an especially strong concept
underpinning the team. The last New Warriors
tried to address this by repositioning them as bottom-rung
superheroes filming a reality TV show, which was at least a
concept, but didn't catch on.
Kevin Grevioux, the latest writer to
tackle the group, takes a different tack. His New
Warriors seem to be a rebel group acting as a continuing
resistance to the Superhuman Registration Act. It's
still not exactly a unique selling point, since New
Avengers is in rather similar territory. But the
New Warriors are presented here as more of an underground
youth movement than a conventional team, and that certainly
gives a distinctive feel to the book.
In fact, since it's trying so hard not to
be a straightforward superhero book, it's a little
surprising to see Paco Medina on art. Medina has
always struck me as somebody whose bright, open artwork
would be quite at home on an eminently mainstream superhero
book, but for some reason he keeps ending up on slightly odd
titles such as this book and New X-Men.
And the connection to previous
incarnations of the New Warriors? Er, invisible until
the final page. I have a suspicion that they're
working on the assumption that the only thing most readers
really know about the New Warriors is that they blew up
Stamford and everyone in the Marvel Universe hates them -
but that's good enough to establish where a group reusing
the name would fit in.
The first issue is really just a slow
build in which our lead character is recruited by the
mysterious New Warriors, and finally learns who they are at
the end. That lead character is, of all people, Sofia
from New Mutants. Presumably. She's
identified as "Sofia", and as a former X-Men student who
lost her powers - although all this is explained in terms
which will be impenetrable to readers who aren't familiar
with Marvel continuity. (The fact that she's an
ex-mutant is "explained" simply by having the New Warriors
identify her as "an M who lost the X.")
However, somewhere along the line Sofia
seems to have undergone a complete personality transplant
and become a sassy inner city waitress. It's so far
removed from any previous depiction of the character that I
re-read the story to double check whether it was definitely
meant to be her. I can't imagine why you'd bother
bringing back a character as obscure as Sofia just to change
her that drastically. Beak seems to have undergone a
similarly inexplicable change - not to mention that his
de-powered human form looked completely different when we
last saw him in Generation M.
Perhaps Grevioux simply has a tin ear for
writing other people's characters. Mind you, he writes
pretty good dialogue on the whole, and his characters feel
like they have a rapport with one another. I can't
begin to imagine how a small-scale diner supports a
full-time staff of five, but the place has a nice family
feel to it.
It's a slow start, but the book feels
like it knows where it's going. And for all its weird,
frustrating elements, it feels like the book has a story it
wants to tell, which is always encouraging. I'll give
it a chance to see how it settles down.
Rating: B
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