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Whatever else you think of his frequently
bizarre output, nobody could accuse Sam Kieth of phoning it
in. His stories are just too weird for that.
Haphazard and baffling at times, perhaps, but never in an
obvious way. Even when his stories don't work, it's
because an experiment has misfired, rather than because of a
lack of effort.
My Inner Bimbo is Kieth's latest
project, a five-issue black and white miniseries from Oni
Press. It's actually one of a planned series of
stories that began with Ojo, which I haven't read.
Nonetheless, despite the loose ties to concepts from other
titles (including his early-nineties cult hit The Maxx),
it seems to be basically self-contained. Just very,
very odd.
With a title like My Inner Bimbo,
you know it's going to be odd. Particularly when the
lead character turns out to be Lo, a sixty year old man.
Lo married a woman seventeen years older than him, and lives
a listless and rather unfulfilling life. Pleasingly,
Kieth writes a marriage that's winding down without
resorting to the usual obvious fighting, and taking the
subtler route.
Thanks to a magical trout (the recurring
theme in all these miniseries), Lo has built a magic box and
created Bambi, a stereotypical bimbo who might or might not
be a figment of his imagination. At this stage it's
slightly unclear whether she's some sort of magical creature
or whether he's had a psychotic break, although either way
it seems clear that she's some sort of projection of Lo's
personality.
The basic point seems to be that Lo has
spent his life in the shadow of much older, dominant women
and has used that as an excuse to avoid developing sides of
his personality. Bambi seems to embody attitudes to
sex and woman that he's been dutifully repressing for years
(Lo talks himself out of his own sexual fantasies on the
grounds that they seem worryingly sexist). It's
basically a character study seen through a cracked lens,
with Bambi serving as the comic relief that stops the series
becoming too miserable - as she points out.
It's always hard to predict whether
something as odd as this will work. Lo is certainly a
convincing character, and Bambi's surrealism averts
excessive bleakness. But Bambi is a wildly
inconsistent characterisation, whose narration veers back
and forth between cartoon Californianisms and more
articulate commentary. This may be intentional - after
all, she's not a real character but a bundle of unresolved
attitudes - but it still makes it tough to get a handle on
her.
Incidentally, there are an irritating
number of typos in this book. There are stray words
and errors such as "your" for "you're", "it's" for "it", "feminity",
"redeption", "forge" for "forget"... Individually,
these are trivial errors, but they mount up to spoil the
quality of the package. A shame, since it's otherwise
impeccable.
Nonetheless, it's an intriguing book,
albeit an utterly insane one. I might hunt down a copy
of Ojo now.
By the way, if you think My
Inner Bimbo is a bizarre title, one of the later
miniseries is called Confessions of a Dyslexic Sex Slave.
Rating: A-
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