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Continuing Marvel's intriguing programme of
launching new characters with negligible publicity and then
being surprised when nobody buys them, we have Gravity,
a five issue mini by Sean McKeever and Mike Norton.
Greg Willis is a rookie superhero from
Wisconsin who's come to New York to make his name. His
big idea is that he's going to fund his activities by
licensing his image. This is not an inherently bad plan,
save for one little detail: it assumes that anyone's going to
care. And in the Marvel New York, one more bozo in
spandex with fairly generic powers doesn't really stand out
that much.
This is the sort of story that works most
effectively within a fully fledged superhero continuity like
the Marvel Universe. After all, traditionally,
superheroes are supposed to be wish fulfilment fantasies.
But Gravity isn't even fulfilling his own wishes, let alone
those of his readers. He's a struggling minor superhero
trying to get noticed - the sort of thing that only really
makes sense if there's a bunch of big names out there who've
already hogged all the limelight. They don't even have
to appear; it's enough to know that they're out there.
This is a universe where somebody with actual superpowers can
embark on a career as a superhero, and nobody notices.
Of course, there's a tricky balancing act
here. Greg has to be enough of a loser to make the idea
work, without us losing sympathy for him. And there
needs to be a sense that all the really important stuff is
going on elsewhere, while still making us feel that we're
seeing something interesting. McKeever nails both of
those. The key is to make sure that Greg doesn't look
like a fundamental, chronic no-hoper. If Mark Millar was
doing this story... well, you'd get Ultimate Defenders, who
are fine for a one issue gag, but would be unreadably snide
and depressing as title characters.
Instead, McKeever and Norton make sure that
Greg is a character we can root for. Partly that's
simply a matter of making him likeable, but he's not just a
loveable clown. He's got passable (if generic)
superpowers, and his pratfalls are due to naivety and
inexperience rather than idiocy. We're left with the
belief that he's going to get better, and we'll get to watch
it happen. It's sweet.
Mike Norton worked with Sean McKeever
before on The Waiting Place, and he's a good match for
this material. It's a character-based comedy drama
rather than a "proper" superhero story, and this sort of thing
depends on an artist whose characters can really act.
Norton's can. He does a good costume design for Greg,
too - it's not the most original design in the world, but then
it shouldn't be, because Greg is deliberately trying to look
like a superhero. It's in character and retro without
being too generic.
A very promising first issue. If
recent history is anything to go by, it'll sell dismally.
But please, prove me wrong, because I really liked it.
Rating: A
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