|
It seems like a month can't go by without a
new Warren Ellis project.
Fell is his latest new launch.
It's an attempt to get back to the single issue format, with
16 pages of story and a $1.99 price tag that tries to keep the
book in impulse-buy territory. The low price tag
certainly ought to be one of the big selling points of the
book, which makes it a little unfortunate that design
considerations seem to have led to the price being completely
de-emphasised on the cover.
Anyhow, Fell is a series of
single-issue detective stories. Homicide detective
Richard Fell arrives in the thoroughly miserable backwater
precinct of Snowtown, which is hopelessly understaffed,
utterly desolate, but might at least allow a good detective to
shine. It's not a million miles from the Frank
Ironwine one-shot that Ellis produced under his Apparat
imprint, particularly with Fell's observational techniques.
But where Ironwine was Ellis's standard
hard-drinking lead character, Fell reverses that.
Fell himself is a fundamentally normal man, who's
inadvertantly stumbled into an entire town of Warren Ellis
characters. Even the seemingly normal ones have
unfortunate views on magical symbols. The murders, in
typical Ellis style, are based around grotesque stories from
the papers. After all, humanity's grotesque enough
already, without having to make anything up.
The 16-page format requires Ellis and his
artist Ben Templesmith to be concise. With a nine-panel
grid format as the basis for each page, there's not much space
to screw around. It's not completely novel for Ellis to
cut himself down to a single issue - he did it in Global
Frequency - but his longer-form stories have shown a
worrying tendency to meander of late. Quite aside from
its other advantages, the discipline of a single-issue format
does him good. Templesmith, meanwhile, makes effective
use of cartooning and strong character designs to get the most
out of each panel.
It's far from subtle, and the themes aren't
exactly new ground for Ellis. But it's a reinvigorated
take on them, and some of his strongest recent work.
Rating: A
back |
continue |