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Former Marvel editor-in-chief Bob Harras
shows up over at DC with Breach, a new ongoing series.
It's a new character, although he seems intended to plug the
Captain Atom-shaped hole in the DC Universe. Nothing
wrong with that, mind you - better than instantly bringing the
real one back.
Harras is largely known as an editor who
prevailed over some of the more scattershot nineties Marvel
comics, although he did have a run writing Avengers.
And in all fairness, he's generally credited with coming up
with Age of Apocalypse, a rare example of a major crossover
with an actual plot and strong central idea.
Even so, I approach the prospect of a Bob
Harras title with healthy scepticism. But Breach
is actually rather good. It's difficult to put my finger
on exactly why, because in story terms, this is an almost
generic origin story. Decent family man Tim Zanetti is
standing around during a military experiment to reach another
dimension when it all goes horribly wrong and he's
mysteriously transformed by weird energy. Then he spends
20 odd years in a coma until he wakes up. That's pretty
much it, and of course, there's nothing new there.
But Breach succeeds on the subtler
levels. There's nothing strikingly unusual about Tim as
a character either - he's basically written as Mr Average.
However, Harras makes him feel like a rounded, believable
character. There's also just enough hints of possible
ulterior motives in the story to tease at future developments,
but without falling into the usual error of losing sight of
the story at hand in favour of endless hint-dropping.
I'm genuinely interested in Tim's story, even though he's not
an exceptional character and it isn't (thus far) an
exceptional series of events, simply because it's rather well
told.
Marcos Martin's art tends towards the
minimal and low key for much of the issue, but handles the
dynamic moments well. I'm less sure about the
character's costume - which only turns up here in an opening
flash forward scene. With the jagged lines and random
geometric shapes, it's a bit nineties. When much of the
issue could happily pass for something out of Human Target
(and that's a good thing), he seems a bit jarring.
Perhaps that's the point.
Anyhow, much better than I was expecting.
Worth a look.
Rating: A-
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