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If you've been waiting to find out what
Reginald Hudlin's take on T'Challa is, then you're going to
have to wait a bit longer, because the title character doesn't
actually appear in Black Panther #1.
Instead, the point of the issue is to
establish the premise of Wakanda, the tiny isolationist
African nation which has spent years politely beating the crap
out of anyone who dared come near them, by virtue of its
ludicrously high levels of technology. The point is
nicely made in a couple of flashback sequences, as the fifth
century Wakandans fend off a raiding party with the aid of
medieval Kirbytech, and the Black Panther of the 1800s proudly
unveils a gloriously crap-looking robot which is still
perfectly good enough for the time.
Whether any of this has anything to do with
an ongoing plot isn't entirely clear, but it does make the
basic point that Hudlin is trying to get across: the tiny
African nation kicks ass because of its advanced technology.
And this is an important point to get across, because really,
it's the Black Panther's unique selling point. It's the
thing that marks him out as a truly original concept among
Marvel characters. Wakanda, here, becomes quite
explicitly the wish-fulfilment fantasy of a world where some
little corner of Africa held out against the European
colonists. It's Africa, the way it might have been if
only the entire continent hadn't been thrashed so
comprehensively for... well, most of the last two hundred
years, really.
I've always found the way the Panther is
presented to be an interesting issue in its own right.
It's hard to avoid noticing that Marvel's most prominent black
hero is now onto his second consecutive black writer.
What a truly amazing coincidence that is. I've always
sensed that Marvel see the Black Panther as a character with
an appeal to the African-American audience - I can only roll
my eyes at the horrific solicitation for this issue, with its
blithering mention of the "hip-hop faithful."
But, of course, the Black Panther is not
African-American. He's African. It's a rather
different thing. Treating the Black Panther as a hero
with particular appeal to African-American readers,
essentially on the grounds that he's black and that's close
enough, raises some interesting questions as to how Marvel
view that audience, and how that audience views its own
relationship with Africa. Something tells me that the
average African views the term "African-American" with the
same cynical amusement that we in Britain reserve for white
yanks who unaccountably think they're Irish.
The first issue gives us Wakanda
exclusively from an outside perspective - usually the
perspective of racists, who seem to be peculiarly acceptable
in this book, presumably because a heroic black man will be
kicking the shit out them in due course. It's been a
long time since I've seen the term "jungle bunnies" in print,
and again it causes me to pause and wonder about the racial
politics that lead it to crop up in this book, yet nowhere
else.
Quite where Hudlin stands on any of these
things, I'm not entirely sure. Which is a good thing,
since it intrigues me and makes me want to stick around to
find out where he's going with this. He's clearly
interested in the whole idea of how everyone else sees Wakanda;
the question is whether it's going to defy one set of rather
unpleasant stereotypes, only to end up as a new, and more
romantic, stereotype projected onto Africa from a different
perspective. The one black American character who shows
up in this issue doesn't really get to do anything other than
be dignified in the fact of racism. The fact that some
white characters are made to be implausibly ignorant of
Wakanda - which surely isn't much of a secret to the Marvel
Universe inhabitants - just so that they can make stupid
remarks rings a couple of alarm bells for me.
Nonetheless, I'm interested, and I'm
reasonably entertained. Whether I'm interested in the
comic itself or simply in a range of issues that float about
it... well, that remains to be seen. But it's pleasingly
ambiguous about many of those issues, and that's kind of
encouraging. I'll keep an eye on this one with some
interest.
Rating: A-
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