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The epic X-Men: The End trilogy
continues with issue #2 of the first volume. And to be
fair, this issue is rather more to my taste. There's a
lot less faffing about with aliens and spaceships, and much
more of the X-Men.
Of course, the book still isn't really
dealing with any of the big themes of the X-Men, but at least
it's getting around to the characters. The set-up is
that Phoenix has been gone for a good long while, the X-Men
have sensed that she's back, and they're gathering to forces
to track her down. Nice and simple.
In fairness to Claremont, this issue does a
lot to rebut suggestions that he's been trying to sweep the
Morrison run under the carpet. In his determination to
work in all the X-characters, at least in cameo appearances,
the Morrison characters are present as well. Most
significantly, Scott and Emma have got a family.
Claremont's treatment of Emma in this book and in Uncanny
may not be entirely subtle, but he's undeniably working with
Morrison's set-up and, by including it as a major part of this
series, cementing it as part of the long-term mythology.
However, that also points up one of the
difficulties with this approach. Claremont is apparently
working ideas into this series which foreshadow developments
in Uncanny and Excalibur (the two present day
X-books that he writes). But trying to establish
something as the concrete future never takes - it always gets
whittled away as writers and editors decide to do something
else. Already, we've got Marvel promising a Phoenix
miniseries for next year. Claremont won't even have
finished his trilogy by that point. Admittedly, a close
reading of the promotion for the Phoenix miniseries suggests
that it might just be some kind of epilogue. But the
point remains valid - in a line this sprawling, with this many
writers involved, can you really lay down a future and expect
it to stick?
In any event, this is very much a book for
the hardcore fans. The Claremont devotees will love it.
Those who aren't so familiar with the characters may struggle
with a plot which requires at least a working familiarity with
the X-mythos. Claremont is certainly trying his best to
keep readers up to speed as they go along, but I have trouble
imagining the series drawing in newcomers - they may
comprehend the plot, but I can't see them caring much.
It's an exercise in drawing threads together, and certainly
not the place to come in for the first time.
Rating: B-
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