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This week's other X-Factor offering
is a Layla Miller one-shot. Like the recent
Quicksilver book, The Quick and the Dead, this isn't
really a spin-off at all. It's essential reading for
those following the regular series, because it picks up on
the fate of Layla Miller after she got dumped in the future
during "Messiah Complex."
I rather suspect that this is a story
designed to give at least some closure to a character who is
being written out for the foreseeable future. And on
that level, it largely succeeds.
Layla does not lend herself to a solo
story. Although she was notionally created by Brian
Bendis in House of M, she was little more than a
cipher in that series. The character as we know her
was laid down by Peter David in X-Factor, when he
cast her as an enigmatic, irritating child who was a literal
know-it-all. Her role in the book was to annoy other
characters and nudge the plot along with shameless,
tongue-in-cheek contrivances.
Fine when she was on the margins, but
this presents more of a challenge once she takes centre
stage. Layla's trademark is that she's a plot cheat,
and how do you build a satisfying story around that?
The answer is partly to focus on her limitations: Layla can
only take advantage of things that were going to happen
anyway. And partly, the answer is to let Layla have
the importance her powers would suggest.
So what we get here is Layla escaping
from the mutant prison camp where we left her, thanks to
particularly absurd, but paradoxically satisfying,
contrivance. And then she sets the ball rolling to
start the Summers Revolution. (Nitpickers will quite
rightly point out that the "Summers Revolution" is supposed
to be from Bishop's timeline, which ceased being a potential
future back in the nineties when Onslaught failed to wipe
out the X-Men. But whatever.) And of course,
because we're probably not going to see her for a while, so
it might as well happen now, she gets to drop the mask and
show emotion. For a couple of panels.
This is the sort of story where Peter
David really impresses me, not so much because the results
are fantastic, but because he's working with such
unpromising material and manages, yet again, to hammer it
into something worthwhile. For readers who are
remotely interested to know what happened to Layla, this is
a thoroughly satisfying answer.
Rating: A-
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