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The X-Men/Fantastic Four crossover series
X4 got off to a dismal start with its first issue.
Issue #2 is a marginal improvement. The title characters
don't fight one another for no reason. That,
specifically, is the marginal improvement.
Otherwise, this is just a tiresome exercise
in milking the franchise. Some of the X-Men and some of
the Fantastic Four go up to help a space station.
Conveniently enough, the villains turn out to be the Brood.
Big fight. That's most of the issue. But wait!
By a tremendous coincidence, the cosmic rays are awfully high
today! Yes, you guessed it - the ship gets irradiated,
and the X-Men get extra powers. The FF's powers.
Because with all the powers in the world to choose from,
clearly they're going to get those four.
That, presumably, is the high concept of
the series. If this is the best plot they could come up
with to justify it, it doesn't exactly inspire confidence in
what's still to come. Power-swapping isn't necessarily a
bad idea, if you want to go the Silver Age team-up route, but
there's no need to take such a contrived and cumbersome route
to get there.
When this sort of schlock appears in an
ongoing series because nobody had any better ideas but they
needed to shove out an issue anyway, it's perhaps forgivable.
But when a story this dismal and pointless actually receives
its own miniseries, you can only wonder what happened to the
concept of quality control. But hell, who am I kidding?
These days, Marvel can't even wrap their heads around quantity
control.
Marvel seem bemusingly keen on writer Akira
Yoshida, who is also scheduled to write the upcoming X-Men:
Age of Apocalypse and Wolverine: Soulbringer
miniseries. On the strength of this nonsense, I'm not
looking forward to them in the slightest. To be fair, he
did get much better reviews for Thor: Son of Asgard, so
this might turn out to be an anomaly. But this is just
so feeble that I can't summon up the willpower to give him the
benefit of the doubt.
Pat Lee's art, which wasn't so bad in the
first issue, is flat and uninvolving this time around.
When he has to draw the Invisible Woman and Emma Frost in the
same conversation, it's painfully apparent that he can only do
one face.
Bad and unnecessary.
Rating: C-
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