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On to the miniseries.
X-23 has been selling surprisingly
well, far outperforming its nominal parent title NYX.
Despite my scepticism about the character, it seems that there
may well be a market out there for a Wolverine knock-off.
And to be fair, the character's been given a reasonable point
of distinction from her "father." Both have the
"reluctant super-soldier" element in their origins, but X-23
is a damaged brainwash victim in a way that Wolverine never
really was.
That provides something to work with in the
present day, which makes X-23 more than just a duplicate
Wolverine. However, it doesn't take the writers of her
miniseries very far. Despite the title, the series has
been built around X-23's mother Sarah Kinney as the de
facto protagonist, simply because X-23 is nothing more
than a brainwashed killer at this stage. If characters
are defined by their choices - and that's the conventional
wisdom - then X-23 is an un-character. She makes no
choices. The very point of the character is that she has
no personality of her own. We're not even really getting
glimpses of anything beneath the facade. The only thing
she does on her own initiative is escape her captors and go
home. And that only serves to confirm her lack of
personality.
On one level, it's an interestingly bold
move to make the title character quite so blank. On the
other hand, it means that by this point, the book seems to
have done the job in terms of setting up X-23's origin.
There's still the mechanical exercise of letting her escape to
be dealt with, of course. But so far as introducing X-23
is concerned, well, we've got the point now.
Which is why the book ends up being built
around Sarah, who at least has a personality. It's a
redemption arc, of course, as Sarah's supposed to be atoning
for getting involved with the whole dodgy project in the first
place. By this point in the story, the writers are
hammering it a bit - Sarah takes X-23 out to help beat a
paedophile, while Rice is becoming more of a
moustache-twirling pantomime villain by the page. For my
money, the book was working better when the characters weren't
so obviously polarised.
But it's not bad at all. Artist Billy
Tan does his best to give X-23 some charisma, even while
keeping up her blankness. Sarah is developing into a
character we can properly root for, if only because she's not
as bad as the rest of them, and somebody's got to look out for
poor X-23, who shows no inclination to do it for herself.
It's obvious where this is heading so far
as X-23 is concerned, of course. It's not exactly
difficult to guess where Sarah's going to end up, for that
matter. But the creators have managed to construct a
workable and reasonably interesting story around a complete
non-character, by turning her very blankness into the focus of
the story. It's an interesting effort, if nothing else.
Rating: B
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