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Spider-Man/Wolverine is now a third
of the way through its six issue run, and while the art
remains pleasantly attractive, I'm distinctly sceptical about
the writing. This was the problem with the previous
Matthews/Mavlian collaboration, where the book looked great
but the plot was ropey at best. Unfortunately, we seem
to have the same problem here.
Last issue, you'll recall, Spider-Man was
hauled in by Nick Fury to rescue Wolverine. Fury gave a
passable explanation for getting in an outsider, namely
deniability. But he didn't really explain why
Spider-Man, nor does this issue really answer the point.
If anything, Spider-Man seems spectacularly unsuited for
combat in remote woodlands, something that he spends much of
the issue reiterating.
But the "ropey plotting" klaxon really
starts wailing when, having rescued Wolverine, Spider-Man
inexplicably decides to accompany him to Paris to investigate
something else entirely. This has nothing whatsoever to
do with his original mission, and you might have thought that
Peter would feel inclined to go back to New York what with
having an actual job there. For that matter, it beggars
belief that SHIELD would parachute Peter into the middle of
nowhere with no means of calling for somebody to pick him up,
or even telling him where he actually was. But the
writer wants to ramble on about Peter and Logan making their
way to civilisation in a comedy manner, so we're expected to
turn a blind eye to all this. No sale.
I'm not entirely sold on Matthews' grasp of
Wolverine's character, either. He seems to think he's
writing the Punisher. While Wolverine's fairly blase
about deaths in the course of combat, I don't see him as being
quite so keen on intentionally killing his opponents as he
seems to be here. It's not a million miles off or
anything, but it feels subtly wrong.
Still, the art's quite nice, in a slightly
over-rendered sort of a way. It's easy to quibble -
Mavlian has given Wolverine lots of scars to indicate how hard
he is, somewhat missing the point that the character's primary
power is healing. But I do rather like the wispy, hazy
look of his work.
As a story, though, this is increasingly
unpromising.
Rating: C+
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