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Just the one X-book this week, and it's the
penultimate issue of Mekanix.
I run hot and cold on this series. On
the one hand, it's contained some of the better writing that
Claremont's written in recent years, including some scenes
where he's demonstrated a welcome willingness to abandon the
writing tics that have overrun his work in the nineties.
Claremont is a good writer who's been in a creative rut for
years, and there have been signs in this book that he's
starting to find a way out of that. Plus, it's taken an
entirely welcome, if less than subtle political position
against the ridiculous homeland security paranoia.
On the other hand, it does tend towards an
extraordinary lack of subtlety at times, and with one issue to
go, we still seem to have two totally disconnected storylines
- the anti-mutant campaign group on campus, and the renegade
Sentinels attacking Chicago. The cliffhanger ending this
issue brings the two storylines together in the same place,
but there's still no real indication of what links them
together. Well, besides the anti-mutant theme - but
that's been the theme of virtually every X-Men story in the
last twenty years, so I'd hope for something a little better
than an ending where the anti-mutant students pronounce
themselves appalled by the actions of the Sentinels and
promise to be good little liberals from now on. That
would be a little too obvious. I'm having trouble
thinking how else these plots are going to tie together,
though.
Anyhow, the issue opens with our heroes
fighting off another Sentinel, in a perfectly good action
scene designed to establish that they can only just deal with
scouts and therefore have no chance against the main force.
It does give rise to some plot problems, though - having
correctly realised that the invincible main invasion force
will be coming, the cast seem unaccountably compelled to carry
on with the other storyline as well. You'd have thought,
for example, that Kitty might regard this as a sufficiently
compelling reason to phone in sick and skip a half hour
therapy session that she doesn't even want to go to, but
apparently not. And after Kitty makes the entirely
reasonable point that she's too busy to attend a student
debating evening, it only flags up the awkwardness of the plot
when she attends anyway. In the rational scheme of
things, the imminent assault on Chicago by an army of
murderous robots is frankly more important than Kitty
attending a student politics debate where, at the very worst,
the proposed resolution to banish Purity from campus will fail
and the status quo will be maintained.
Yes, I know we're meant to admire Kitty's
willingness to attend and argue her case, but the story
doesn't establish any compelling need for her to attend this
particular argument, and gives her overwhelmingly good reasons
not to go. That's a problem.
The debate itself is also a little awkward.
Mutants work perfectly well as a metaphor for prejudice, but
when characters stand around actually debating the issues, it
tends to throw up the problems with the analogy. For one
thing, the bigots here can quite legitimately protest that
mutants are different from racial minorities because they
really are a danger to those around them. Kitty has no
reasoned answer, other than to dismiss any arguments against
her as racism. (Which it isn't, because mutants aren't a
race. But that's nitpicking, I suppose.) We're
apparently meant to be impressed by Kitty's debating -
supporting characters stand around saying they've never heard
anybody talk like her - but the content of what she's saying
doesn't merit it. Not unless you think that brushing
aside all arguments against you by crying "racism" counts as
an impressive debating skill, anyhow.
This is basically an issue about drawing
the plots together in preparation for the climax, and it's
competent enough on that level. The opening action scene
is good, and artists Juan Bobillo and Marcelo Sosa are
consistently solid. But thematically, it's not too
impressive - the arguments are shallow, and it doesn't have
the depth to carry off the sort of weight it's aiming for.
Rating: B-
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