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In a generally quiet week for new X-books,
we might as well check in on the progress of X-Men: Deadly
Genesis, since issue #4 pulls a massive retcon which is
going to springboard the next year of Uncanny X-Men
storylines.
Marvel are very keen to push this book as a
big thing, and Joe Quesada has made no secret of his
disappointment with the orders. His theory is that they
need to give away more plot details, which is why Marvel have
basically already told us this issue's plot. Personally,
I disagree; I think the problem is that they've overstretched
the brand to breaking point, and in particular, they've
published too many miniseries with the X-Men name on it
that aren't important at all. If you want readers to
believe that every X-Men miniseries matters, it's probably
best not to do books like X-Men: Colossus - Bloodline
or X-Men: Kitty Pryde - Shadow & Flame, or even
X-Men: The 198.
Quesada comes dangerously close to blaming
the readers for not having faith in Marvel to deliver, when
the reality is that the readers have every reason to regard
X-Men miniseries as almost certainly missable. If Marvel
don't want readers to think that way, then they should stop
publishing so much throwaway dross, shouldn't they?
You're the ones stuck in the mentality that every X-book ought
to sell automatically, not us.
Anyhow, Deadly Genesis has come in
for a bit of understandable criticism for its leisurely pace.
It's certainly taken its time getting to this point, and issue
#3 felt like a whole load of padding just begging to be
excised. It also doesn't help that artist Trevor
Hairsine has, once again, proved unable to meet the advertised
schedule and has had to drop back to doing layouts - although
with Scott Hanna as finisher, the end result is still pretty
good.
Nonetheless, there's a lot that I like
about this issue. It's a pleasant change to see a Marvel
book which is unashamed about being a superhero comic, for one
thing. It also manages to carry me along with its
glaring retcon of Giant-Size X-Men #1, which I was
expecting to grate. Admittedly, pulling out the "Xavier
wiped everyone's mind" card is a slightly cheap way of
covering up why we've never heard of these guys before, but it
does beat awkward contortions. And I have no problem with
Xavier lapsing into dodgy methods again - he's done it before,
and we're talking about somebody who had no problem letting
the X-Men believe he was dead when he could simply have phoned
upstairs and asked them to leave him alone.
The four missing X-Men are rather nicely
designed, with costumes that actually feel appropriate for
lost mid-seventies characters. I was braced for them to
look horribly anachronistic, but in fact they all look like
something that would fit for the period. Admittedly,
Sway and Petra are ciphers, but they're only there to make up
the numbers - it's Kid Vulcan's story, and the other three
don't really matter.
On the other hand, there are definitely
problems with this series. The present day plot is
considerably less compelling than the retcon material, given
the lack of any clearly defined plan on Vulcan's part.
The flashbacks have to live with the fact that Giant-Size
#1 isn't exactly a classic, and in particular, it involves the
X-Men fighting Krakoa the Living Island. He looks fairly
good here, but let's face it, he's still a barrel-scraping
concept.
And Vulcan himself is a slightly awkward
character. While the idea of him enthusiastically
joining the X-Men and being betrayed works nicely as set-up,
his origin story also involves some dreadfully contrived
stuff. ("The only thing he had on him when they found
him was a book on the mythology of ancient Rome...") For
that matter, why is Xavier asking exposition-friendly
questions about him in the main story when, according to
Brubaker's own back-up story, he's already met the guy and
taken an interest in him before this point?
Mixed, then. Despite my better
judgment, I'm still rather enjoying it, but I can't deny it's
got some definite problems. Hopefully Brubaker's
upcoming Uncanny X-Men run will be able to build on the
stronger aspects of this series.
Rating: B
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