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X-Men miniseries seem to fall into two
categories these days. A handful, like X-Men: Phoenix
- Endsong, turn out to be quite important to the plot.
The vast majority, like X-Men: Kitty Pryde - Shadow & Flame,
seem to exist to make up a budget quota. Although Joe
Quesada has acknowledged that this isn't entirely
satisfactory, it's less than clear whether anything is
actually changing.
So here comes the latest in the X-Men:
Name of Character - Title of Storyline series, because god
knows we couldn't just call it Colossus. This
book, at least, has something to work with, because after
bringing Colossus back in Astonishing X-Men, Joss
Whedon pretty much marginalised him for the next storyline.
As a result, the fallout of his imprisonment hasn't really
been explored properly.
David Hine, best known in these circles as
the writer of District X, gives us a murder mystery of
sorts, with a paranormal serial killer wandering around Russia
bumping off remote Rasputin relatives. Eventually
Peter's cousin Larisa twigs to what's going on, and calls him
in to help. Meanwhile, Colossus is wondering whether his
months of imprisonment have driven him mad. A couple of
comments from Emma Frost, in her capacity as resident
telepath, suggest that the problem is something else
altogether.
It's not a bad start, and Hine has a
convincing take on the post-imprisonment character.
Rather than simply go back to the 1980s take on the character,
this version is clearly more than a little traumatised by what
he's been through, and not quite ready to be drawn back into
the family just yet. Artist Jorge Lucas, not always one
of my favourites, turns in some of his better work here, with
heavier shadows and starker contrasts that suit the story.
But I'm very much in two minds about the
idea of making Colossus a relative of Rasputin. Yes,
sure, he's got the name already. But it's not such an
uncommon name, and it seems horribly contrived to connect
Colossus to a historical figure like that. It's a
country of millions, for heaven's sake. I'll reserve
judgment until we see where they're going with this, but it
seems a bit awkward, to say the least.
Otherwise, fairly promising.
Rating: B+
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