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The other miniseries finishing this week is
Frank Tieri and Clayton Henry's highly unlikely X-Men:
Apocalypse vs Dracula four-parter.
Surprisingly, there actually turns out to
be some minor continuity purpose to this storyline. It
establishes why Apocalypse's blood has the healing
properties that are key to the current X-Men
storyline. The X-books haven't been making much effort
to dovetail with one another for quite a while, and it's a
pleasant surprise to see the effort being made. God
knows nobody wants to return to the forced crossovers of the
1990s, but it's nice to see some logical interaction between
the titles where it actually makes sense.
Now, on paper, Frank Tieri's
Apocalypse vs Dracula sounds like a very questionable
idea. But while it doesn't quite work, it's actually
better than I was expecting. I was braced for
something disastrously misconceived, with a horrendous style
clash. In fact, the book doesn't fall into that trap.
It keeps the two title characters apart for the first three
issues and tries to build up Apocalypse as a quasi-mystical
figure so that they more or less fit in the final issue.
Inserting Apocalypse retroactively into Dracula's origin
story (as the leader of the army that got him killed) is a
bit clunky, but not disastrous. In fact, we end up
with a series where Dracula is the scheming villain and
Apocalypse is a bit of a bludgeoning thug with ideas above
his station.
It all works better than you might think.
The problems are more to do with the execution than the
basic idea. This is essentially a vampire/conspiracy
story, and calls for darker, more atmospheric art.
Instead, it gets Clayton Henry. Henry is a perfectly
good artist when it comes to straightforward superheroes,
but he's not exactly big on mood. The plot also seems
a bit shaky, with the initial story of internal politics in
Clan Akkaba brushed aside to make way for a big fight
between Apocalypse and Dracula, as the gimmick of the series
overpowers the initial set-up.
Still, by all rights this should have
been a catastrophe, and it really wasn't. It's not a
particularly great series, but I do have to give credit for
taking a horrible premise and wringing a perfectly readable
little story out of it.
Rating: B-
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