|
|
|
STORY: "Rubicon" (37 pages)
Fabian Cortez works his way into Magneto's trust, and
engineers a conflict between Magneto and the world - including
the X-Men.
What you need to know:
The original five X-Men have rejoined the team, thereby
dissolving the original X-Factor. (Their book was taken
over by a completely new team.)
The X-Men have finally rebuilt the Mansion.
It was blown up by Mr Sinister in Uncanny X-Men #243,
over two years before.
The X-Men are divided into two teams, Blue
and Gold. The Blue team, which was intended to star in
this title, consists of Cyclops, Beast, Rogue, Gambit,
Psylocke and Wolverine. The Gold team has Storm,
Archangel, Iceman, Colossus and Jean Grey (officially dropping
the "Marvel Girl" codename at long last), and was meant to
star in Uncanny X-Men. The distinction eventually
blurred away. Professor X, Banshee, Forge and Jubilee
hang around in the background of both titles.
It's the first appearance of Fabian Cortez
and the Acolytes, characters who went on to be prominent
throughout the 1990s. Actually, these particular
Acolytes were only used for this storyline. But the
organisation - a pseudo-religious cult devoted to Magneto's
philosophy - stuck around for a while.
Cortez refers to one of the Acolytes,
Annemarie, as "my sister." It's unclear whether he means
that literally, or whether he calls all of the Acolytes
"brother" or "sister."
As we see throughout this story, Cortez is
a manipulator. His main aim is to hijack Magneto's
reputation and iconic status for his own ends. There's
some suggestion in this arc - particularly in issue #3 - that
Cortez is actually broadly sincere in following Magneto's
teachings, but wants to seize control of the movement from
Magneto himself. However, later stories largely dumped
that idea in favour of Cortez as a corrupt cult leader, duping
his Acolytes into beliefs that he doesn't really share.
The story begins with Magneto having left
Earth entirely, apparently planning to live on Asteroid M as a
hermit. On Cortez' prodding, Magneto returns to Earth to
pick up some nuclear missiles from the Leningrad (the
submarine he sank in Uncanny X-Men #150).
Magneto's apparently just intending to use them in
self-defence, but naturally, this does nothing to calm the
situation.
In a fairly baffling sequence, Rogue
pursues Magneto and his missiles into "Soviet airspace."
Magneto ends up detonating one of the nuclear missiles.
Somehow, not only does Rogue survive the explosion, but she
apparently falls to earth in Genosha - which is meant to be
off the coast of Madagascar!
Cortez passes himself off as a healer in
order to get Magneto dependent on him. In fact, Cortez's
power is to boost other people's powers. When Magneto's
charged up, he stops feeling his injuries.
Genosha seems to be getting back on its
feet somewhat. We last saw it during the X-Tinction
Agenda crossover, when the X-Men, X-Factor and the New Mutants
helped to overthrow the government. The new regime
claims to be following a policy of equal rights for all.
Chief Magistrate Anderson is still running the police force.
The Acolytes attack Genosha without orders,
allegedly in an excess of zeal. The more likely
explanation is that Cortez is stirring again. Naturally,
Magneto comes to their defence.
Psylocke muses that she's "an action
junkie", apparently in an attempt to justify her fondness for
martial arts when she could just beat most of her opponents
telepathically from a safe distance. Fabian Nicieza
later tries to explain this more fully with his Kwannon
storyline, although unfortunately the explanation is more
complicated than the original problem.
Moira MacTaggert rounds off the issue by
telling the Banshee that what's happening is all her fault.
Presumably this is supposed to be set-up for what she reveals
next issue, but it's difficult to see how, on any view, the
events of this issue have anything to do with that.
Depending on which cover you bought - and
there were five - you get a different pin-up. Issue #1A
(the one pictured here) has a pin-up by
Jim Lee and Scott Williams of various X-Men villains.
The characters appearing are Arcade, a Sentinel, Apocalypse,
Cameron Hodge, Magneto, Loki, Sauron, Mister Sinister, the
Goblin Queen, Mystique, Dark Phoenix, Mojo, Spiral, Emma
Frost, Sebastian Shaw, the Juggernaut, the Toad, Mesmero,
Sabretooth and one of the Brood. Loki's inclusion is a
little bizarre, but presumably he qualifies on the basis of
the first X-Men / Alpha Flight miniseries.
Issue #1B (with Colossus, Rogue, Gambit and
Psylocke on the cover) has the original X-Men in the Danger
Room.
Issue #1C (with Cyclops, Iceman and
Wolverine) has the X-Men and various supporting cast members
in a pool party. The characters appearing are Colossus,
Jubilee, Jean Grey, Gambit, Stevie Hunter, Iceman, Opal
Tanaka, the Beast, Trish Tilby, Rogue, Wolverine, Archangel,
Storm, Psylocke and Cyclops.
Issue #1D (with Magneto) has a pin-up
labelled "Things to Come." The characters appearing are
Selene (presumably because of her Upstarts connection), the
Brood, Ghost Rider, Dazzler (wearing unusual face paint),
Longshot, Matsu'o, Omega Red, Belladonna, a file marked
"Weapon X", and a woman who looks kind of like a zombie with a
gun for an arm. Presumably she would have turned up
further down the road if Jim Lee and Whilce Portacio hadn't
left to found Image.
Issue #1E, the gatefold cover, has all four
covers, no ads, all the above pin-ups, some sketches, and a
pin-up featuring the members of the X-Men, X-Factor, X-Force
and Excalibur at that point. (For some reason,
Quicksilver is missing.)
Comments:
1991 saw the comics industry going through a boom period.
For Marvel, this largely involved audiences getting behind a
number of particularly popular artists. One of them was
Jim Lee, the regular artist on Uncanny X-Men.
After the enormous success of
Todd Macfarlane's Spider-Man vol 1 #1, it was only a
matter of time before Marvel decided they wanted an X-Men
#1 as well. The result was a reshuffling of the line
that effectively rearranged X-Factor and the X-Men into two
separate X-Men teams, leaving a new set of characters to take
over the abandoned X-Factor title. Hyped as an
enormous event, bolstered by multiple covers, and assisted by
speculators, X-Men vol 2 #1 was an enormous hit.
Counting all of the variant covers together, it sold millions.
It must be said that many of
those copies went to speculators whose grasp of the laws of
supply and demand was somewhat rudimentary. Incredibly,
people honestly believed that the price of this book would go
up. Of course, with that many copies around, there was
always going to be more than enough supply to meet demand.
The incredible success of the hot
young artists of the time had an obvious effect on the X-Men.
As Uncanny X-Men's artist, Jim Lee took a very active
role in co-plotting - often, by many accounts, to the point of
rewriting large chunks of the story. As the story is
usually told, Claremont complained to the editors, and they
sided with Lee. (Given the relative success of Lee and
Claremont over the next decade, this was - commercially at
least - probably the right decision in retrospect.)
Claremont then quit. This three-part storyline,
co-plotted with Lee, was his swansong. After all, if
Marvel were going to make a small fortune off the book that
he'd spent 16 years building up, it was only reasonable to
hang around for that.
Against that version of events,
it should be noted that Claremont subsequently worked with Jim
Lee at Image, only a year or so after this - so clearly
relations can't have been as strained as all that.
Nonetheless, Claremont was out, Jim Lee was in, and with this
story serving as the launchpad for a new title, it wasn't
really on the cards for Claremont to use it as closure to his
run. Instead, we get an introduction of the new set-up,
and the first appearances of some characters who were to be
important throughout the nineties - Fabian Cortez and the
Acolytes.
In fact, there's an interesting
idea at the core of this issue. Magneto has become such
an iconic figure, even to the other characters, that it's
become inescapable for him. He doesn't really do
anything particularly provocative in this story, and he
certainly doesn't have an evil plan in mind. But merely
showing up at all is enough to send everyone else into a
panic. It's precisely this image that Cortez is trying
to hijack for himself. The nineties see a lot of stories
built around people fighting over Magneto's legacy while poor
Magneto slumps in the background and drools gently, and this
is where that emerges as a major theme. Magneto's image
and iconic power are more powerful than Magneto himself - as
long as you can get them under control.
The issue suffers from somewhat
incoherent plotting in several respects, and it often feels as
though Claremont is trying to hammer a chaotic story into some
semblance of structure. Annemarie dies only to pop up
alive and well at the end. (Cortez claims to have healed
her, but it's a key plot point that he can't really heal
people, so...) Harry Delgado inexplicably defects to the
Acolytes with no explanation whatsoever. The X-Men have
a training session and the story can't seem to make up its
mind whether or not it's in the Danger Room. And Rogue
somehow falls from Soviet airspace to Genosha, off the coast
of Madagascar, which is just plain impossible. And why
does Moira think she's caused any of this, given that there's
no causal link and Magneto doesn't even find out about her
tinkering until next issue? None of
these derail the thrust of the story too badly, but they're
certainly irritating.
It's not a classic, then.
But it does have an interesting idea at its core, and for all
its incoherence, it's certainly still got the energy that
drove the success of Lee and his Image contemporaries in the
early nineties.
FEATURE CHARACTERS
Professor X (last in X-Factor #71)
Archangel, Cyclops, Jean Grey and Psylocke (all
last in Damage Control vol 3 #4)
Colossus, Gambit, Iceman and Rogue (all last in
X-Factor #70)
Forge and
Storm (both last in
Deathlok vol 2 #5)
The Banshee (last in Uncanny X-Men #280)
The Beast (last in Avengers vol 1 #339)
Wolverine (last in Marvel Team-Up vol 3 #19)
SUPPORTING CHARACTERS
Moira MacTaggert (last in X-Factor #70)
Chief Magistrate Anderson (last in Uncanny X-Men
#272)
VILLAINS
Magneto (last in Uncanny X-Men #275)
The Acolytes: Fabian Cortez, Chrome (real name
unrevealed), Annemarie (full name unrevealed; surname
possibly Cortez) and Harry Delgado (first appearance
for all)
GUEST APPEARANCE
Nick Fury (last in Avengers vol 1 #337)
OTHER CHARACTERS
Nance and Deke (Delgado's teammates; first and only
appearance; Deke is apparently killed)
Updated 8
next
|