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STORY: "Monsters Also Weep"
(20 pages) Sauron tries to kill Tanya Anderssen's father
so that he can marry her, but has last-minute attack of
conscience and flees to Tierra del Fuego, where he commits
suicide despite Tanya and the X-Men's attempts to stop him.
What you need to know:
For some reason Sauron feels compelled to go back to
Tierra del Fuego and commit suicide in the place where he
gained his powers, although you'd think this was awfully
inconvenient when he could simply shoot himself or something.
Sauron dies by throwing himself off a cliff
while in human form. Issue #115 explains that he
survived by simply landing on a ledge and climbing down to the
bottom.
Karl's beloved Tanya Anderssen shows up out
of nowhere, claiming to have had a "premonition that something
dreadful had happened to you." Her father tags along in
order to melodramatically proclaim that they shall not wed.
According to Xavier's notes, Sauron is "a
non-mutant variant", whatever that may be. Presumably
it's just an X-centric way of saying he acquired superpowers
during his life. Surprisingly enough, even though he has
a completely different body, Sauron apparently sounds just
like Karl Lykos - Tanya and her father both recognise his
voice.
Bobby's noticed Lorna's interest in Alex,
and he's not best pleased. She puts off the conversation
until later.
Angel is knocked out by Sauron and remains
behind in New York when the rest of the team head to the
Savage Land. He sets off separately, as we see in a
flashback next issue.
The full story is reprinted in X-Men
Visionaries: Neal Adams. It also appears, split into
two halves, in X-Men Classics #2-3.
A more innocent time:
Angel, on Sauron's hypnotic illusions: "Monsters, three of
them - and each one uglier than the rest!" Um, how does
that work, exactly...?
Baffling period reference: "Do you mean,
Lorna, that Angel here just soared in thru the kitchen window
like the prime pigeon in some detergent commercial?"
I'm told the reference is to a long-running advert for Dove.
Comments:
The concluding part of the Sauron storyline requires an
awful lot of generosity from readers. Unfortunately, the
plot is hideously contrived. Tanya turns up with no
decent explanation, simply because the plot requires that she
should do so. Everyone decamps to Tierra Del Fuego so
that Karl can commit suicide in a needlessly difficult manner,
and Tanya somehow not only guesses where he's going, but
manages to get there on her own. (She's determined to
get there before the X-Men, so presumably she didn't ask them
for a lift.) It's all a bit much to swallow. Plus,
Tanya's a hopeless cipher who's only there to advance the
plot, which makes it hard to care about her relationship with
Karl.
But the basic idea is perfectly
good - Karl's seduced by power, redeemed by his love for
Tanya, but then kills himself in a tragic sacrifice. And
once again, Neal Adams does wonders with the Sauron character
design, getting far more expression out of him than most
artists manage.
FEATURE CHARACTERS
Cyclops, Beast, Iceman and Marvel Girl
(between pages, all appear behind the scenes in flashback in
issue #62)
The Angel
SUPPORTING CHARACTERS
Alex Summers and Lorna Dane
VILLAIN
Sauron (next in flashback in issue #115)
OTHER CHARACTERS
Tanya Anderssen and Dr Anderssen
Revised: 5 September 2005
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