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STORY: "The Sentinels Live"
(15 pages) Larry Trask and Robert Chalmers appear on TV
to announce their new Sentinels to the world. Meanwhile,
the Sentinels capture Lorna and Alex.
What you need to know:
The Sentinels are back, for the first time since issue
#16. These guys are, technically, the Mark 2 Sentinels.
Marvel kept tracking the Marks up until the mid-1980s, after
which point it all became so garbled that nobody cared any
more.
These ones were created by Larry Trask.
He's the son of Bolivar Trask, who built the originals.
Larry wrongly believes that the X-Men killed his dad back in
issue #18, and he's most annoyed about that. Larry has
hooked up with Robert Chalmers, a federal judge who's done
five years of research into the subject and has convinced
himself that mutants are evil. He's running something
called the Federal Council on Mutant Activities. Larry's
Sentinels appear to be approved by the Council (or, at the
very least, by Chalmers in a personal capacity), which would
make the Council the first outright anti-mutant US government
organisation.
As we find out in issue #59, the truth is a
little more complicated that that. Larry is a mutant who
has precognitive powers. Robert knows that, but Larry
doesn't. Larry wears a medallion which he was given by
his late father Bolivar, and which shuts down his powers.
According to Robert in issue #59, Bolivar was motivated to
build the Sentinels by the fear that another mutant would
discover Larry's secret (which, to be honest, doesn't make
much sense), and Robert tried to carry on his work after he
died.
All of which begs a few questions about
Chalmers. If he knows that Larry's a mutant, and he
still wants to help him, then evidently he doesn't genuinely
believe that all mutants are evil. In which case, why is
he helping out with this sort of project? Apparently
we're meant to take it that he has a blind spot for Larry
because of his close friendship with Larry's dad - that's
certainly what's suggested next issue. But let's be
honest, it's a little bit shaky. Incidentally, Larry
isn't wearing his medallion in this issue (he might have it
under his clothes, but that's not how he wears it in the next
two issues). This might suggest that Roy Thomas was
making it up as he went along...
Alex is terrified by his powers, and
doesn't want to go with anyone in case his powers are set off
by accident and he kills them. So he runs off into the
desert while the X-Men are dealing with the cops. There,
he's halfway through a maudlin and angst-ridden soliloquy when
he gets captured by the Sentinels.
The Pharaoh somehow returns to civilian
clothes between issues. This is handy for him, because
when the Egyptian authorities turn up, they recognise him and
pretty much take his word for everything. The X-Men
eventually leave the Pharoah with them, and of course they
release him straight away.
Lorna Dane turns up again (and we're
assured that she and Bobby are still a couple). The
Sentinels attack her apartment and capture her. This
results in the team splitting up - Bobby and Hank go back to
America, while the others stay in Egypt hunting for Alex.
Reprint-hunters can find this story in
X-Men Visionaries: Neal Adams. An edited version
also appears in Giant-Size X-Men #2, which runs issues
#57-59 compressed into a single story. It was also
reprinted in 1983's X-Men Classics #1, a miniseries
which reprinted the Thomas/Adams run in the light of the
X-Men's later popularity. (They skipped issue #56, since
this is a better jumping on point.)
A more innocent time:
The Egyptian police are relying on camels to get around.
Cyclops rather uncharacteristically dismisses them as "camel
jockeys."
Comments:
Now we're getting somewhere. After years of largely
ignoring the subject, the book finally ploughs headlong into
anti-mutant sentiment, government anti-mutant projects, and
the X-Men as renegades. Oh, and Alex is really hammering
the angst in this issue. Even though this stuff didn't
stop the book getting cancelled, it's finally on the right
track here - after all, it's this sort of story which drove
the book under Claremont.
Granted, there's some very
melodramatic dialogue to put up with, not to mention a rather
dodgy portrayal of the Egyptian authorities. But the
book is finally dealing with the big themes that make it work,
and Neal Adams' art continues to impress - particularly a
fantastic page of the Beast falling from an open window, with
a really powerful layout. A very good issue.
FEATURE CHARACTERS
Cyclops, the Angel, the Beast, Iceman and Marvel Girl I
SUPPORTING CHARACTERS
Alex Summers (also in flashback between pages of issue
#56)
Lorna Dane (last in issue #52)
VILLAINS
The Living Pharaoh
Larry Trask (first appearance; chronologically last in
issue #-1)
Robert Chalmers (first appearance; chronologically last
behind the scenes in flashback in Marvel Super-Heroes
vol 3 #7)
Bolivar Trask (in flashback only; last in flashback in
the next issue; next in issue #-1)
FEATURE: "The Female of the Species"
(5 pages) Marvel Girl demonstrates her powers. Oh,
and she's cute, too.
What you need to know:
In terms of the actual content, not much. However,
this story does have the remarkable distinction of being the
only story to be written by a woman in the title's 42-year
history. If it even counts as a story.
(So far as I'm aware, by the way, Linda Fite's only other
published stories were in The Cat #1-4 and Night Nurse
#4.)
It's also, of course, the last back-up
strip from the "Origins of the X-Men" series. Poor
Marvel Girl doesn't get a full origin story, presumably
because they were pulling the plug on the whole idea and
wanted to free up the space for Thomas and Adams. The
gaps were eventually plugged in the Phoenix story in
Bizarre Adventures #27.
An edited version of this feature (missing
a page) was used to pad out Giant-Size X-Men #1.
For some unfathomable reason it also appears in 1973's The
Cat #4.
A more innocent time:
"Special aside: Ye olde Bullpen thought it'd be glitzy if,
just for a change, this featurette on the mesmerizing Marvel
Girl were written by a member of the supposedly weaker sex!
So, make room for lovable Linda Fite, ex-Marvel staffer and
X-Men fan supreme!"
Comments:
Actually, it's quite fun as these things go. "Please
don't be alarmed if you feel strangely compelled to pay
unusual attention to the contents of the following pages."
Werner Roth's art is quite good, too.
Written: 5 May 2005
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