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Another ongoing X-book bites the dust, as
Gambit joins District X and Excalibur in
the cancellation pile. (Next week, Rogue.)
Gambit was launched along with
Rogue and Nightcrawler, without much publicity,
without big name creators, and in the apparent conviction that
the X-book connection would be enough to sell them. It
wasn't. This really shouldn't have come as a surprise -
there are already so many X-books out there that the
readership simply isn't looking for new titles, especially
ones that seem to serve no particular purpose. As a
character, Gambit is years past the peak of his popularity;
even a few years back, his solo series was only able to
survive for a couple of years.
Taken as a whole, Gambit really
wasn't a bad comic. It suffered from being perceived as
a shameless exercise in milking the readership (which it was),
and it didn't help that it opened with a story that seemed
rather inconsequential, and was stretched out to at least
twice its natural length. Subsequent stories, kept to a
sensible number of issues, have been much improved. But
ultimately, there just isn't a market for a Gambit solo title
- certainly one where nothing much seemed to be happening.
Frankly, nothing of any great importance ever did happen in
this title. But in the last few issues, it was still a
fun, enjoyable read.
We wrap up with the second half of
"Thieves' World", which ties up the two or three dangling
plots that had been established in New Orleans. From the
look of it, John Layman wasn't exactly at home with the
Thieves Guilds, and was probably better off not using them.
They're played here as a bunch of generic thugs in a
warehouse, which has the advantages of getting rid of all the
baffling quasi-mystical stuff, but also makes them look a bit
ordinary.
But Gambit's charm and energy carries the
book, and Layman has some nice ideas about the relationship
between him and Belladonna. Instead of trying to tease a
reconciliation, Layman plays them as ex-lovers with Belladonna
not really over the relationship yet. Gambit doesn't
want her back at all, but he still shows a bit of concern
about her getting involved with a clot like Bandit.
Gambit's attitude to Bandit is also played rather well.
Although he doesn't come out and say so, Gambit sees Bandit as
a bit of a D-list bozo, and he's a little rattled by the idea
of such a total clot being able to fill his shoes in New
Orleans.
Part of me will kind of miss the book that
we had for the last three or four issues, where things really
started to click. But only part of me, because for the
most part I still think we're better off with a vastly slimmed
down line, and books with no apparent reason to exist, such as
Gambit, ought to be going as part of that.
Rating: A-
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