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THE CREATORS: Judd Winick
writes issues #21-25 and #31-37. Chuck Austen writes
issues #26-30 and #38-39. In theory the regular artist
is Clayton Henry, starting with issue #26. The operative
words are "In theory."
THE FILL-IN ARTIST COUNT:
Twelve. Of which, Jim Calafiore did seven - as many
issues as the nominal regular artist.
WHAT HAPPENED IN 2003: The
conclusion of "Legacy" (the Vi-Lock) storyline; "With An Iron
Fist" (the one where an evil Iron Man is president); the first
Chuck Austen fill-in run; "Avengers Forever" (the one where
the Avengers are vampires - does anyone even remember
it?); the two "A Second Farewell" stories; "Fantastic Voyage"
(the last Winick storyline); and the start of "King Hyperion".
You know those
little machines you can buy for feeding your cat while you're
away on holiday? The ones where you fill up all the
little compartments with cat food, and then every day the
machine opens another one for the cat to eat?
Well, that's basically what
Exiles was like in 2003. By the end of 2002, Judd
Winick had already signed a twelve-month exclusive contract
with DC. Most people would take this as a cue to leave
Exiles altogether, but not Winick. Instead, he
hedged his bets, and wrote twelve months of scripts before his
exclusive deal began. That way, if he decided not to
renew with DC, he could come back and pick up Exiles
again.
However, Winick didn't allow for
the fact that Marvel wanted to produce nineteen issues of
Exiles in 2003, which left them a little short on
material. But never mind! As any Marvel editor
knows, when there are pages to be filled, and quality is a
secondary consideration, it's time to reach for Chuck Austen's
phone number. As a result, we've also been blessed with
seven Austen fill-ins.
What this meant, in practice, was
a year of lacklustre stories interspersed with awful crap from
Austen. Exiles has always had an innate tendency
towards formula, because the set-up requires the characters to
show up, get a mission, and fulfil it. By 2002 that
formula had already become ossified, as Winick resorted again
and again to the same old idea: it's a world conquered by the
baddies! Winick did at least depart from that approach
towards the end of his run, and turned in one genuinely
excellent issue with the Sunfire story in "A Second Farewell".
But the formula is still getting stale, and nothing this year
was truly able to overcome that problem.
As for
Austen, he gave us a rather pointless story bringing back
Moses Magnum, and a truly diabolical effort where the Exiles
visited the mainstream Marvel Universe. Rather than
doing anything remotely relevant to the characters, however,
Austen decided to follow up on his "Dominant Species"
storyline from Uncanny X-Men, which was very bad the
first time round. The Exiles arc was even worse,
leaving the Exiles relegated to the status of guest stars in
their own book while Austen's powers of coherent plotting
deserted him altogether. (Havok dies of a huge stomach
wound as a central plot point, only to be back on his feet
without a scratch a few pages later.)
In fact, Winick did renew his
exclusive deal with DC this year, so he isn't coming back.
Judging from the solicitations, Austen will be writing the
book for the forseeable future, which is a thoroughly
unenticing proposition. However, Marvel haven't actually
announced anyone as the new regular writer, so it may be that
they're holding off until the X-books overhaul scheduled for
next spring. Personally, I'd be tempted to just draw a
line under the title and quit while it's ahead, but solid
sales are unlikely to allow that.
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