|
|
|
At long last, a really quiet week.
Not only are there only two official X-books (plus an
anthology title which happens to contain an X-Men story), but
they're not even particularly major titles.
Of course, there are reasons for this -
largely relating to a sharp upwards swing in the number of
late-running titles, on top of a schedule which was bordering
on incoherent to start with. But at least it gives me a
break for once, and with at least seven X-books due out next
week, I'm going to take advantage.
Excalibur #7 concludes the
three-part "Food Fight." Hands up anyone who knows why
it's called "Food Fight." No, me neither. When I
first heard the title, I'd vaguely assumed that we might get
something about fighting to make sure the beleaguered
population for Genosha were fed. Which would have made
sense, given the supposed premise of the title. In fact,
that's not the plot, nor does food figure into it at all.
I can't help wondering whether the title is a hangover from a
completely different earlier draft, because god knows it bears
little resemblance to anything in the last few issues.
The actual plot goes something like this.
Stripmine, who seems to have a deal with Unus, turns up on
Genosha, apparently intending to... well, stripmine it.
As a stripmining themed supervillain, he's been waiting for
years for an opportunity to engage in some stripmining-related
crime, and now at last his day has come. Stripmine
captures all the heroes, but they escape. The Dark Beast
shows up for no readily apparent reason. The heroes
regroup and capture all the villains. The end. We
round off with a coda in which Xavier and Magneto talk about
founding a new state of Genosha. That's basically the
same ending as issue #4, which tells you how little progress
has been made in the last three issues.
Somewhere in there, by the way, the Dark
Beast seems to indicate that he actually hired Stripmine via
intermediaries, and that Stripmine's job was to capture
Xavier's team. Which presumably means Stripmine wasn't
actually engaged in any stripmining at all, so the entire plot
boils down to "some villains attack, but they lose."
Claremont actually does a mildly
entertaining version of the Dark Beast, who clearly thinks
he's being charmingly charismatic when he's actually just
smug. Curiously, though, he makes no attempt to explain
what the Dark Beast is actually doing, or even who he is.
As a counterpart of the Beast from an apocalyptic parallel
universe, he's a character liable to cause tremendous
confusion if he's just dropped in there without explanation,
cumbersome as the exposition may be. The character
hasn't even been used in five years - it's not like you can
fairly assume that all the readers know who he is. Even
for those of us who do know who he is, it would help to give
at least some indication of what he's trying to achieve.
Mentioning that Genosha is of scientific interest doesn't
quite cut it. Given that no technology works there,
you'd have thought it was the last place any mad scientist
would want to be operating.
The more I read of this series, the more
convinced I become that nobody really knows where it's going,
least of all the writer and editor. At this stage in the
book, we should not be getting generic fights against generic
villains. This has all the hallmarks of Claremont's
biggest writing flaw, one which comes up again and again - he
gives his characters a perfectly interesting objective, makes
it the central premise of the series, and then totally ignores
it. This is, nominally at least, a book about rebuilding
Genosha. We're seven issues in. Make a start.
Sitting around in a villa drinking cappuccino and angsting
about how awful it all is doesn't count.
Sales on this book fell 10% in October,
which is not good at all at this stage. Most Claremont
books in recent years have divided the audience into those who
love Claremont and those who'd prefer to see a different
approach these days. Excalibur, unfortunately,
doesn't even seem to be achieving that divide - those who
don't like Claremont don't like this book either, while even
many of his usual fans can't work up much enthusiasm for the
title.
The title just isn't working. In
theory I can see why somebody thought a series about Xavier
rebuilding Genosha might be an interesting idea. But
this is not that series. It's a series about Xavier
sitting around in a villa with some ciphers and a badly
written Magneto, doing nothing and waiting for villains to
attack them. There is potential in the concept, and with
a rethink, the book could yet be saved. Unfortunately,
something tells me it's just going to drone on while the sales
slide ever lower.
Rating: C-
back |
continue |