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THE CREATORS: David Hine
and Lan Medina.
WHAT HAPPENED IN 2005: The
"Underground" arc with the killer earthworm mutant; the two-parter
with Billy pining after a waitress; and the House of M
crossover miniseries Mutopia X.
I'm going to
take District X and Mutopia X together, since to
all intents and purposes they're the same comic. In
fact, the final issue of Mutopia X has nothing to do
with House of M at all, and actually just ties up the
main storyline from the parent title. Still, must have
helped sales.
Obviously, District X was
dead the moment Marvel decided to go with the Decimation
concept. You can't have a massive reduction in the
number of mutants and still have enough left to populate their
own district of New York.
But with sales below even
Rogue and Gambit, this book was heading for
cancellation anyway. In large part, that was probably
inevitable - it just wasn't the sort of thing most X-Men fans
were looking for from the line. In a way that's a shame,
because more than many X-Men spinoffs, this was a natural
extension of the same core themes. At the end of the
day, though, it's still a superhero line and perhaps people
just don't come to the X-books for this kind of story.
We've seen a lot of superhero
hybrid books crash and burn over the last couple of years, and
perhaps it's time to acknowledge that outside a small subset
of superhero readers, there really isn't much of an audience
for comics like this. Creators want to make them,
hardcore comics fans want to encourage them, but ultimately
not that many readers want to buy them. For the majority
of readers, perhaps when they want something different from a
superhero comic, their solution is to buy something that isn't
a superhero comic. Viewing the audience from a
perspective within the comics bubble may have led publishers
and creators to spend several years targeting a non-existent
crossover demographic.
Aside
from these inherent difficulties, after a strong start in
2004, District X rather tailed off with its second
year. The second arc, "Underground", was overextended at
six issues. Marvel finally seem to have recognised the
problem and shifted to shorter arc which still have suitable
break points for the trade paperback. Quite why this obvious
solution didn't commend itself to them from the start is a bit
of a mystery.
"Underground" suffered from a
rather unconvincing villain, a murderous worm-mutant who never
seemed anywhere near as dangerous as the script wanted us to
believe. The visual just wasn't quite right - it was
hard to believe a creature with those stubby little hands and
feet managing to hurt anyone.
But Hine and Medina did much
better with the central storyline of Izzy's breakdown and
estrangement from his family. While cancellation forced
a rather rushed ending, at least the situation was left
somewhat open, with the feeling that they'd turned a corner
rather than sorted everything out. It felt like the
right place to leave the characters.
In the midst of all this was the
five-issue Mutopia X miniseries, a House of M
crossover presumably commissioned back before the axe had
fallen. In retrospect it's a little unfortunate that the
book ended up spending four issues looking at the same
characters going through much the same events. Nothing
terribly illuminating came out of it, and the issues could
have been better used on a full final storyline. But it
did do wonders for sales, on a book which was doomed anyway,
and in that sense it's hard to say it was a bad call.
Ultimately, District X
feels like a case of potential never quite realised - and not
just because it got cut off by a change in the direction of
the line.
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