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Also this week...
EXILES #93 - This is the
penultimate chapter of "Enemy of the Stars", Chris
Claremont's opening storyline. It's a five-parter, and
from what we've seen so far, that's really too long.
It's an unobjectionable, by-the-numbers Exiles story,
where the team visit a world gone wrong and fight some bad
guys. But it doesn't offer anything that couldn't have
been covered in half the time. I'd rather hoped that
Claremont would take the opportunity provided by Exiles
to do the sort of swashbuckling adventure stories he clearly
loves. Instead we've got yet another mind-control
story, a concept that Claremont has overused so much that
his editors really should be enforcing a moratorium on it.
It's not a particularly bad story, but it's too long, and
Claremont can make better use of the format than he's doing
here. B-
FALLEN SON: THE DEATH OF
CAPTAIN AMERICA - THE AVENGERS - Although billed as an
Avengers one-shot, this is really the second part of a
five-issue miniseries. Since I was quite negative
about issue #1, it's only fair to acknowledge that this one
works a lot better. Following the "five stages of
grief" format, this issue is anger, which Loeb covers by
following both teams of Avengers at once. Mainly, this
means that Ed McGuinness gets to draw the official Avengers
fighting monsters, and for once, Iron Man's team appear
alongside the renegade counterparts without seeming like
bastards. Lightweight, but good fun. B+
NEW EXCALIBUR #19 -
Another lengthy Chris Claremont story, as he continues his
slow-burning Albion arc. I'm not thrilled about the
decision to bring back the shadow X-Men (whom we're
apparently now going to call Shadow-X), since they weren't
terribly interesting villains in the first place. But
given the shortage of Excalibur villains established to
date, and the fact that they're playing second fiddle to
Albion, I can see the logic in using them. It's a
relatively straightforward, traditional team book story, and
Claremont's fans will find plenty to enjoy here. B
RED MENACE #6 - The
concluding part of this largely overlooked WildStorm
miniseries about a (literal) McCarthyite witchhunt against
superheroes in the 1950s. I found the first issue
amusing mainly because it came out at the same time as
Civil War and did a rather similar concept much more
plausibly. Over its six issue run, Red Menace
has hovered awkwardly between a political thriller and a
classic-style superhero story, but overall I'd judge the
book a success on its own terms. These ideas have been
explored before, but this book does it with a nicely
constructed logic, and Jerry Ordway's old-school art fits
perfectly with the setting. It's not going to change
your life, but it's a fine little series. B+
WISDOM #6 - The
miniseries that nobody seems to be buying except for me
reaches its penultimate issue. This is one of the most
enjoyable overlooked titles of the year, if you ask me, and
at this stage I'd be sold on an ongoing series. Of
course, given the sales that's hardly likely to happen, but
I can dream. Putting this book in the Max imprint was
probably a mistake; there's very little here that merits a
mature readers certificate, and it's really a big sweeping
superhero book with alternate realities and such forth.
Manuel Garcia is doing a great job on art considering that
he was brought onto the project late in the day, and Cornell
makes a persuasive bid to become the thinking man's Mark
Millar. A
There's more from me at
If Destroyed, and if you're desperate for more Article 10 columns, you can
always hunt through the archives on
Ninth Art.
Next week, Astonishing X-Men #21.
And that's it - despite the large number of X-books coming
out in May, none whatsoever were scheduled for the first
week. Astonishing is only coming out because
it's a month and a half late.
Oh, and as I sit down to write this, I'm
reminded that there was an issue of X-Factor I missed
when I was on holiday. Completely forgot about it.
Must see if I can find it.
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