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Also this week:
NEW X-MEN #17 - Part two
of the four-part House of M crossover. The most
interesting thing about this arc is its willingness to make
all the regular characters look bad. Of course, a
fundamental problem with the whole House of M set-up is
that a lot of the heroes really ought to be rebelling against
Magneto's rule on principle, and plainly aren't. Most of
the other books have got round that by playing their
characters as people who have got what they wanted from life
and are keeping their head down in a world that they recognise
as flawed. New X-Men isn't even doing that, instead
presenting a bunch of starry-eyed Magneto-worshippers.
Even the nicer ones have bought wholesale into the idea that
they're living in utopia. David and Noriko are the
heroes by default, but even they don't actually seem to
question any of this. Dani, on the other hand, seems to
have joined the Nazis. It's an odd balance between
keeping everyone in character while having them working under
completely different values, and it brightens up what would
otherwise be a fairly pedestrian conspiracy storyline.
B+
NIGHTCRAWLER #9 - Meh.
This is "The Winding Way", part 3 of 5, and I'm increasingly
becoming convinced again that the whole book is on the wrong
track. I can see that there's a need to come up with
some sort of angle to justify a Nightcrawler solo
series (once the ill-advised decision has been taken to launch
one in the first place), but having Nightcrawler appear in
stories about magic seems to miss the point of the character
by a mile. At the very least, it misses the character's
appeal. But here we are again, with unknown magical
forces attacking Kurt's old circuses in search of the
Soulsword. God only knows who did the continuity
research here, because the established history is that Amos
Jardine was a Texan millionaire who bought the German circus
outright - those are the only things you need to know about
the character, and somehow Aguirre-Sacasa contrives to bring
him back while getting both of them wrong. Either the
research here is dreadful, or it's messing about with
perfectly good continuity for no particular reason.
Darick Robertson's art is always capable of raising the grade
by a couple of notches, but the rest really does nothing for
me. C+
SPELLBINDERS #6 - Mikes
Carey and Perkins wrap up their school magic miniseries, for
the benefit of whoever might still be reading. This is
one of those mystifying books which Marvel persist in
launching and yet giving no publicity to whatsoever. In
this case, since it's some way off the superhero beaten track,
Marvel might be hoping for it to make some headway in digest
format. But to be honest, the premise of teenage
magicians has been done better elsewhere. The element
that ought to make this version distinctive is the idea that
the whole town apparently know about magic, but the series
never really did anything with that idea. Instead, we've
had a fairly pedestrian story about rather too many characters
teaming up to fight a bad guy. It's difficult to imagine
this making much of a breakthrough in a competitive market.
B-
If Destroyed has
several new reviews added since last week, so you might
want to pop over there and have a look. And there's a
new Article 10 on Monday at
Ninth Art.
Next week, the much-delayed
Astonishing X-Men #12 finally wraps up "Dangerous"; and
X-Men: The End finishes off its second volume.
There's also the third issue of Kitty Pryde - Shadow &
Flame, and a variant cover of New X-Men #16, if
such things excite you. Plus, a sixth volume of
Essential X-Men.
NYX #7 was meant to be out next week
as well, but remarkably enough, it's been pushed back at the
last moment. By three more weeks. Who'd have
thought it?
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