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Also this week...
AUTOMATIC KAFKA #7 - Kafka
is reunited with his old enemy Galaxian, a man who has a
galaxy for a head. (Is Casey exchanging notes with
Morrison again?) Meanwhile, the Constitution of the
United States decides to enter the porn industry. Nuts
as ever, albeit that the book is becoming increasingly
straightforward in terms of its storytelling. The ideas
are bizarre, the presentation is getting more mainstream.
B+
BATGIRL #37 - Another
story about Batgirl's relationship with David Cain, transposed
onto some people she happens to meet who happen to form an
obvious analogy. A little bit convenient, to put it
mildly, but perfectly good if you can look past that point.
B
HELLBLAZER #181 - Demons
chase John Constantine through London in a one-act action
story. And a very good one - a nice twist halfway
through, and it lets Carey re-establish the idea that this
series is emphatically about London. Oh, and if those
marking are permanent, that'll really annoy any future artist
who has to draw Constantine topless... A-
INVINCIBLE #2 - Invincible
meets up with some other local superheroes and joins their
team. Uh-huh. Well, it's fun, it's got likeable
characters, it's got attractive art, but this is one of the
Image superhero books which is way too close to being generic,
unfortunately. A shame, since while it's short on
originality, it does do the old standards quite well.
B
LUCIFER #35 - The
concluding half of "Come to Judgment", and a closing twist
that I can't believe I didn't spot a mile away. God, I'm
dumb sometimes. Not sure about the re-use of the old
"kill the first thing you see" myth, which is just a little
bit too well known for these purposes, but basically another
good issue. B+
PUNISHER #22 - And here's
the conclusion of the "Brotherhood" storyline, one of Garth
Ennis' rare straight Punisher stories. That's largely
because it isn't really a Punisher story at all, it's a cop
story that he's tried to shoehorn into the series.
There's a sort of link to the Punisher in the theme of the
difficulty of working within the rules, but really Frank's too
extreme an example for that link to stand up to close
scrutiny. Nonetheless, it's been a good character piece,
even if the presence of the lead character didn't add all that
much to it. A-
QUEEN & COUNTRY #14 - The
SIS are called in to deal with industrial blackmail by the
French government, on the somewhat debatable basis that it
involves the national interest. I'm going to remind you
all yet again that you should be buying this series, easily
the best spy book on the market. Fabulous artwork from
Jason Alexander on this arc, as well. A
SLEEPER #2 - Ah, I see -
the lead character really doesn't have a clue what Tao's up
to. Seems a bit of a stretch that an organisation could
have kept its purpose quite that obscure from its own members,
but fair enough. Anyhow, this issue Holden finds himself
having to explain away the death of one of his superiors, in a
nicely constructed single-issue story. An improvement on
the first issue, I think, but I'm still not convinced about
the one-tone colouring scheme. B+
THOR #60 - Back to Jake
Olsen, and he's getting increasingly annoyed by all these
religious freaks who trust in god to save their children.
Not least because they have a habit of being right. It
seems we're getting back to the storyline about Thor being
framed for murder, which I thought had largely been forgotten
about. This is alright, though I still feel more could
be done with the whole subject. B-
THREE DAYS IN EUROPE #3 -
Our heroes find themselves yanked around by supporting
characters in what may be the first romantic comedy in history
where the lead characters show no romantic interest in one
another whatsoever. Entertaining stuff, and it's
continuing to steer well clear of the usual romantic comedy
cliches. A-
Y: THE LAST MAN #8 -
Yorick finds out the truth about the village full of women,
which is at the more plausible end of my range of guesses.
On the other hand, we've still got a lot of these rabid
anti-male Amazons wandering around, and I still have real
problems believing that rabid anti-male feminism would take
off to that extent in a world with no men. Kind of drags
the book down for me, that subplot, but the main story is good
as ever. B+
Last Monday's Article 10 column about
product placement is still up at
Ninth Art.
Next week, Agent X #8, which faces
an uphill struggle; Hulk / Wolverine: 6 Hours #3;
allegedly, another issue of Ultimate X-Men; Weapon X
continues on its subtle path; X-Men Unlimited #42 is
themed around telepathy; and X-Statix should raise the
average.
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