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Also this week...
CABLE & DEADPOOL #28 -
With the awkward business of Apocalypse out of the way,
Cable & Deadpool gets back to the important business of
overthrowing governments. This time it's the fictional
country of Rumekistan, which Flag-Smasher conquered a few
years back in a Fabian Nicieza story you've probably never
read. (Citizen V & The V-Battalion: The Everlasting,
to be exact.) The background doesn't really matter,
though - Flag-Smasher has finally "liberated" a country from
nationalist rule and is busy imposing its own unique
interpretation of personal freedom. On the one hand
I'm a little unsure about this direction for Flag-Smasher,
since he's much more interesting as a Captain America
villain when he's a sincere anti-nationalist ideologue.
But this isn't Captain America, and there's plenty of
good material here around the subject of revolutions gone
wrong. This month's guest artist is somebody called
Reilly Brown, who I've never heard of before. But he's
really good, in a "very slightly manga" sort of way, and I
would love to see more from him. A
NEW X-MEN #26 - This
issue: more religious killing. I'm starting to get a
little antsy about the pace here. To judge from the
solicitations, even though it's been broken down into
four-part arcs, this is really part seven of twelve.
We've had six months of utter misery already and I really
think it's past time to turn the corner and go for the
upswing. The continuity nitpicker in me grumbles about
what appear to be real-time continuity references - X-Treme
X-Men was "several years ago"?! - not to mention an
admittedly cute time travel paradox involving Nimrod which
is far too convoluted to explain here but doesn't fit with
Marvel's normal time travel rules. But that's trivia.
My big concern here is that this book is going overboard on
the grinding misery, and it's just not much fun to read.
Sure, the title was crying out for a little more drama and
action, but can't it lighten up a little bit? There
are plenty of ideas here which I like, but it's so
overwhelming dark that it's becoming a problem. B
SHE-HULK #7 - Well, this
is going to irk the purists. This is the second half
of a two-parter that I wouldn't really have expected from a
traditionalist like Dan Slott. Starfox returns, and
he's still doing his schtick of charming women with his
happiness powers. One woman accuses him of rape, and
the twist is that there is no twist - Starfox is indeed a
guy who uses mind control powers to get women into bed, and
he's totally unrepentant about it. To be fair, there's
apparently a sequel planned, so Slott might have something
else in mind, but I don't have a problem with anything we
see here. The central conceit here is that this isn't
a retcon - this is exactly how Starfox was always written,
but it isn't the 1970s any more, and when you stop to think
about it, he's just plain creepy. He's a character
from a bygone and decidedly pre-PC era, and meeting that
head-on is an interesting decision. A
UNCANNY X-MEN #473 -
With Chris Claremont out of action due to illness, we're now
into a phase of Claremont plots and Tony Bedard scripts.
You could do a lot worse. (Fortunately, X-Men: The
End seems to have been written further in advance - it
would have been a shame for that book to end with guest
writers coming on.) It's a romp with Jamie Braddock
messing about with reality and a bunch of cosmic-powered
randoms showing up to cause trouble near the end, but it has
enough energy to carry it through despite being, frankly, a
bit incoherent. The chameleonic Roger Cruz fills in on
art and entertains me hugely by doing a Chris Bachalo
impression. It says something for Bachalo's current
style that Cruz cloning him is actually a step up.
B
Last week's Article 10 is still
up at
Ninth Art, and there's
more from me at
If Destroyed.
Well, there will be soon. Honest. It's been a
busy couple of weeks.
Next week, in one of the more
unlikely projects of recent years, X-Men: Fairy Tales
#1 begins a miniseries offering folk tales reinterpreted
with the X-Men. No, seriously. Meanwhile,
X-Men #186 concludes the "Blood of Apocalypse"
storyline, and Ultimate X-Men #70 has more of Robert
Kirkman. And for the masochists or the hard-to-bore,
there's issue #2 of Wolverine: Origins.
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