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Also this week...
AMAZING SPIDER-MAN #544
- This would be the first part of "One More Day." I'm
sure I'm not the only person who just wants to get it out of
the way so that we can move on to something more
interesting. It's not a great issue. Quesada's
art is certainly impressive enough, but the plot still isn't
going anywhere. After months of "Back in Black", which
just seemed to be killing time, this story reads like it was
intended primarily to set the scene for readers of the trade
paperback - so here we go with the same ground again.
And the less said about the dialogue, the better.
"Tune your ear to the frequency of despair, and
cross-reference by the longitude and latitude of a heart in
agony." Are we really supposed to read that without
sniggering? Overall, I've seen a lot worse, but so
far, the story is utterly dependent on the hype to give it a
sense of importance that just isn't there on the page.
C+
DOKTOR SLEEPLESS #2 -
After a shaky start, Warren Ellis has finally got his Doktor
Sleepless wiki up and running, so he can begin the
interactive side of this series - allowing his readers to
connect the dots between his various references. So
far, while the subject matter isn't exactly off the beaten
track for Ellis, the series is holding up its end of the
bargain. There's a genuine sense here of a detailed
puzzle in need of unravelling, and that's the key to these
things. B+
EXILES #98 - Part four
of "The Doom of Two Good Men", and we've still got another
month to go. I'm not convinced it merits that much
space. It's also the second storyline in a row to
tease the destruction of the human race, with the same
character in a key role. Taken purely in isolation,
the issue a perfectly acceptable alternate-reality superhero
story, but the overall direction of the series seems a
little lacklustre. Nice to see Thunderbird back in the
active cast, mind you. B-
NEW EXCALIBUR #23 - The
other Chris Claremont story of the week, and this seems to
be the penultimate part of the Albion storyline. It's
been the same guys punching one another in different
combinations for several months now, and I can't imagine why
this relatively slight story has been stretched out to seven
months - an enormous length even at the height of the
decompression fad. I'm afraid I've pretty much lost
interest in the arc by this stage. C
UNCANNY X-MEN #490 -
More fun with the Morlocks, as we meet the nice guys who had
a more benign interpretation of the prophecies. I'm
reassured to see that both books are now openly making
noises that M-Day isn't a dead end for mutants after all,
since it suggests that Marvel have figured out it was a
horrible mistake and we're heading for at least a partial
reversal. (Without which, there's no series worth
having. M-Day, as written, literally negates the
premise of the book.) There are some nice moments in
this story, and Larroca's art is impressive as ever, but I
don't feel like we've made a great deal of forward progress
since part one of the storyline. And there's a scene
with Warpath and Hepzibah which is just plain clumsy.
It's an odd mix, really. The details are mostly good.
The overall direction of the book seems promising. But
the current story arc feels like it's going round in
circles. B
There's more from me at
If Destroyed, and if you're desperate for more Article 10 columns, you can
always hunt through the archives on
Ninth Art.
Next week, X-Men: Emperor Vulcan #1 begins a
five-issue sequel to Ed Brubaker's "Shi'ar Empire"
storyline. Ultimate X-Men #86 has more
Sentinels. And the "Isolationist" arc continues in
X-Factor #23.
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