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Also this week... a whole bunch
of stuff I haven't had time to read yet, to be perfectly
honest. So let's stick with the other four X-books and
this week's other token first issue.
ANNIHILATION: SILVER SURFER
#1 - Another Keith Giffen book, so we've yet to find out
what the other writers are going to make of this concept.
The basic idea is that Annihilus is hunting down the former
heralds of Galactus, which is as good a plot as any, I
suppose. Strangely, this leads to a major role for the
Air-Walker, whom I could have sworn has been dead for
decades. If you were annoyed by the sidelining of the
Surfer in Defenders, you can relax, because Giffen is
taking him completely seriously here - the big theme is the
Surfer trying to find some meaning in the destruction, which
makes perfect sense for the character. I'm not at all
sure about the art, which tells the story perfectly
adequately but has an Alex Maleev Lite feel that seems
wholly inappropriate. A decent start, though.
B+
NEW EXCALIBUR #6 - As
Marvel announced a couple of days ago, Chris Claremont is
taking a sabbatical for health reasons. Apparently the
next two issues are going to be drawn from his plots and
scripted by Frank Tieri; strangely, there's been no similar
announcement for X-Men: The End, which also has two
issues to go, or any indication of what's happening to
Exiles. Naturally, I wish him a speedy recovery.
And this is as good a time as any to remind people that
whatever I may feel about his stories from the last few
years, he's still the writer who got me into American comics
in the first place, back in the late eighties. And
this issue is a perfectly acceptable superhero team book.
I'm pleasantly surprised to see that Dazzler's non-death in
issue #1 is a plot point rather than a plot hole, although
the Shadow X-Men are still tiresomely one-dimensional.
Entirely decent overall, though. B
ULTIMATE X-MEN #69 - In
which Robert Kirkman is joined by artist Ben Oliver, rather
optimistically billed by Marvel as a rising star on the
strength of the recent DC miniseries Vigilante, of
all things. Actually, he's pretty good - this is a
very talky issue and he carries it off nicely. I'm
getting a sinking feeling that Kirkman is about to push his
pet new character to the moon, and he hasn't got enough
personality for me to welcome that. Otherwise,
completely enjoyable. B+
X-MEN: APOCALYPSE VS DRACULA
#3 - This is turning out better than I'd expected,
although admittedly I'd expected a trainwreck. It's
really an Apocalypse series with Dracula being kept as a
looming threat on the margins of the plot, and that just
about works. I'm still reserving judgment until I see
whether Tieri can possibly pull off the seemingly ludicrous
confrontation next issue, though. The book still
hasn't shown me that it has an answer to the big problem of
making these two characters share a scene (other than "put
it off as long as possible", which is admittedly the best I
can come up with). Unfortunately, Clayton Henry's art
is still utterly lacking in any sort of atmosphere, which is
essential to carry off a story like this. B-
X-MEN: THE END, BOOK THREE
#4 - Sorry, but even this week, I can't summon up any
enthusiasm for this project. Loads of people hit one
another, and if you didn't care up to this point, you won't
be starting now. A million miles removed from anything
I'd want to see in a book called X-Men: The End -
almost nothing about the key characters and core themes, and
a ton of nonsense about Claremont's pet space opera
concepts. C
Last week's Article 10 is still
up at
Ninth Art, and the next
few days should see plenty of material at
If Destroyed.
Next week, Cable & Deadpool #27 completes
its two-part prologue to the return of Apocalypse storyline
that's already been underway for months. Exiles
#79 moves on to the Future Imperfect timeline.
Decimation continues in Son of M #5 and X-Men: The
198 #4. Lots more religious intolerance in New
X-Men #25. And Uncanny X-Men #472 begins
Chris Claremont's final storyline on the title.
There's also a trade paperback of the
X-23 miniseries (delayed because they originally
packaged it in an overpriced hardback with the whole run of
NYX), and a third volume of Complete Age of
Apocalypse.
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