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Also this week:
AVENGERS #501 - Wow.
This really isn't working. Brian Bendis is a great
writer, but he's a writer who deals in plot, mood and
character. He's not a writer who deals in Big Thing Go
Boom, and boy does it show. This is basically an issue
of people reacting to the Big Thing Going Boom last issue,
which ought to play more to Bendis' strengths, but it rings
hollow. The tone is off - for example, you can't get
away with a silly visual like a little miniature Wasp tucked
into a full-size hospital bed unless you're playing the story
in goofy, primary-coloured superhero mode. When you try
to play the story as dark and angst-ridden - which certainly
seems to be what they're aiming for - it just looks stupid.
C-
STREET ANGEL #3 - A lot
more deadpan than the first two issues, but the more I re-read
this, the funnier it gets. Street Angel helps the local
Christians fight off a bunch of lunatic Satanists straight
from the Daily Mail paranoia farm. Knowingly silly, but
perhaps less obviously so than usual, given that stories on
these themes have a nasty habit of being ludicrous and
arbitrary anyway. Wasn't sure about this one on first
reading, but it's definitely growing on me with time.
A-
Last week's Article 10 is still
up at
Ninth Art.
No X-Axis next week - I'm on holiday.
I'll review the books when I get back. However, here's
what's shipping next week:-
District X #5, continuing "Mr M."
Ultimate X-Men #51, with more of Gambit.
X-Force #2, which speaks for itself. And X-Men:
The End - Dreamers & Demons #3. There's also the
ninth Ultimate X-Men trade paperback, collecting Brian
Vaughan and Brandon Peterson's "The Tempest".
The week after that, Cable/Deadpool
#7 begins "The Passion of the Cable" (no, seriously).
Madrox #1 reunites the Peter David X-Factor cast.
New X-Men #5 continues the opening arc. Greg
Rucka rounds off his run on Wolverine with issue #19.
A new Brotherhood of Mutants debuts in X-Men #161.
Emma Frost #15 continues "Bloom." And
Wolverine: The End #5 brings the miniseries towards a
conclusion.
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