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THE CREATORS: Fabian
Nicieza and Patrick Zircher
WHAT HAPPENED IN 2005:
"Thirty Pieces", with Cable being reset to a more sensible
power level; "A Murder in Paradise", where Deadpool plays
detective; "Enema of the State", with Deadpool jumping between
alternate worlds to disentangle the climax of X-Force
#6; and "Bosom Buddies", with a cast of thousands chasing a
magic widget.
Last
year, I said that I hoped Cable & Deadpool would
continue, but given the discouraging sales figures I wouldn't
place money on it surviving 2005. Evidently I should
have taken the bet, because the title has levelled out in
sales, and it's still hanging in there.
If ever a comic shouldn't have
worked, it's Cable & Deadpool. It takes two
hopelessly mismatched characters with no obvious reason to
work together - not to mention a massive disparity in power
levels - and nails them together in a single comic for no
immediately obvious reason. But to his credit, Fabian
Nicieza has managed to make the book work. Having
successfully racked down Cable's powers to sane levels again,
he's now playing up the odd couple dynamic for all it's worth.
Cable has long since drifted away
from the original character designed by Rob Liefeld.
He's now a utopian schemer, quietly manipulating all the other
characters - and especially the dimwitted Deadpool - into
doing his dirty work for him. And despite the mixed
results of his previous forays into this area, Cable still
thinks it'd be a great idea to remake the world into a better
society. But does he really know what he's doing, or is
he just going to cause even more problems than he's solving?
After all, even though he has the benefit of hindsight, it's
not like his world turned out so well.
Deadpool, meanwhile, provides the
point of view character who allows Cable to remain suitably
enigmatic, as well as the goofy comic relief that stops the
series becoming too heavy going. After almost two years
the book has finally got its two protagonists into a
relationship where they can believably work together -
Deadpool tacitly admires Cable, and Cable thinks Deadpool is a
useful idiot. It's a fabulous little character dynamic
with a ton of potential.
What's
more, the book isn't afraid to nudge at the boundaries of
taste for mainstream superhero books. The "Murder in
Paradise" arc, with Deadpool investigating the murder of a
thinly disguised Osama bin Laden in Cable's idyllic model
community, had some jawdropping moments - such as Deadpool
cheerfully attacking a mosque on the grounds that, hell,
there's got to be something suspicious about a mosque.
("Why let statistics, truth and reality cloud my judgment?")
One of this year's few "Did I just read that?" moments from
the X-books.
On the down side, Fabian Nicieza
is still prone to bogging his stories down with dementedly
overengineered plots. Horrifically convoluted macguffins
like the Dominus Objective don't help the series, because the
reader is too busy trying to work out what the hell is going
on to pay attention to the bits that are really important.
For all that there was a degree of self-parody to that arc,
the underlying problem was there too.
But the good far outweighs the
bad in this title, and it's a pleasure to see that it's found
a niche for itself.
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