The X-Axis, 1 December 2002
Part 1 of 6: AGENT X #5

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I will resist temptation and not begin with another paragraph of exasperation about the future of Agent X.  There will be plenty of time for that in three months time.

For the moment, this is the penultimate part of the "Dead Man's Switch" storyline.  The main thrust of this arc has been the feud with Higashi and his gang, and as tends to happen with penultimate episodes, the good guys are reunited in preparation for a big fight with the villains and their henchmen.  Given the henchmen who turn up at the end of this issue (is that Crossfire?), something tells me that we're heading for a torrent of obscure microvillains next month.  Always good for a laugh.

One of my pet hates in comic book writing is the tendency to write Japanese characters who are driven entirely by "honour".  That's "honour" in the sense of "willingness to perform completely irrational actions in order to further the plot, and justify by it spouting a paragraph of Japanese instead of actually having a coherent personality-based motivation."  Higashi and, particularly, Saguri seem to have very few qualms in this area.  It makes a pleasant change to see Japanese characters who promptly tear up their deal with the Taskmaster the moment it stops suiting their motivations.  It's almost like they have personalities.

Arcade pops his head round the door, in an unusually small role for him.  I get the impression that the original plan was to come back to Arcade after the current arc, and bring him in once the park was being rebuilt.  Gail Simone has a slightly unusual approach to Arcade, in that he seems almost sane here.  The character is a bit of a one-dimensional clown most of the time, used as a comic relief villain in comics which need a change of pace.  Here, Udon have wisely toned down the costume to get rid of the silly 1970s elements, and Arcade actually displays a second side to his personality - a childlike delight in historical fairground rides.  It's a nice angle on the character, although thoroughly consistent with the way he's usually used.  ("Hey, what's the fun in watching someone die unless they're in a giant pinball machine at the time?  That's what I always say.")

Agent X himself spends the entire issue mute, perhaps in order to shut him up so that the other characters can advance the plot more effectively.  Makes for a nice running gag, though.

Good as ever, and I'm looking forward to next month's finale.

Rating: A-

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Copyright 2002 Paul O'Brien.  All characters and publications   This web site is a work of critical comment and review. All characters and publications referred to, and artwork reproduced, are ™ and © their respective owners.
 

AGENT X #5
Marvel Comics
January 2003
$2.25 US / $3.75 CAN

"Dead Man's Switch, part five of six: A Little Crazy"
Writer: Gail Simone
Artists: Udon Studios (Alvin Lee, Rob Ross, Eric Vedder, Therealt!, Shane Law and Calvin Lo)
Letterer: Cory Petit
Asst. editor: Lynne Yoshii
Editor: Andrew Lis

LINKS
Marvel Comics
Gail Simone: Women in Refrigerators
Gail Simone: You'll All Be Sorry (archives)
Udon Studios