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There are seven X-books out this
week, which I venture to suggest may be too many. Why
Marvel can't spread them out more effectively, I'll never
know. Anyhow, since there's so many of the damn things,
I'm just going to stick to the X-books this time round -
otherwise we'd be here all night.
To start us off, we have the
final issue of Agent X. Actually, it's the second
final issue of Agent X, since issue #12 was also meant
to be the last issue. But this time they mean it.
Agent X is an odd comic
with an odd history. Although it only ran for fifteen
issues, it was a continuation of Deadpool, which made
it to issue #69. And since there's a new Cable &
Deadpool series just around the corner, the character
lives on. Except that Agent X wasn't Deadpool after all
- something that was fairly broadly hinted from the word go.
God, it gets confusing.
In any event, this marks the end
for Agent X. It also marks the end of the collaboration
between Gail Simone and Udon which has been running for a
couple of years now. To be honest, I'd expected the
series to end by killing Agent X off and hitting the reset
button altogether. I'm pleasantly surprised to see that
it doesn't take that approach - Agent X and his supporting
cast are still around as the series ends. Not that I'm
expecting to see all that much of them in the new series.
This three-issue arc was
published in order to let Simone and Udon wrap up the plots
and provide some closure to the series, so it shouldn't come
as any surprise that that's what we get here. It's a
fight issue, in fact. Agent X and his supporting cast
fight the Black Swan, various character arcs are drawn
together, the Swan is disposed of, and a suitable degree of
closure is achieved.
To be honest, I'd probably have
preferred to see a bit less of the fight and a bit more of the
characters in the aftermath. The fight scene is the
logical climax for the story, but it's a bit limiting.
It doesn't help that in order to get Deadpool and the Black
Swan to the desired endpoints, the story has to make huge use
of the Swan's questionably defined powers - the disappearance
of Agent X's scars is all very nice and symbolic but I have
trouble seeing what it's got to do with the Swan's telepathy.
That said, the story does give us
a satisfying resolution for the storylines. Simone does
work in a funny opening sequence with Agent X's dream office,
and there's a suitably ridiculous coda to round things off.
Because the issue is fairly plot heavy, it doesn't really have
the room for all the quirkiness I might have liked to see in
the final issue. I can see why it's following this
route, though, and it's probably unavoidable in order to
provide the required closure. And the book certainly
does tie everything up in a nicely satisfying way, which was
the point of the exercise.
Gail Simone and Udon have
produced some very entertaining work on this title and on
Deadpool before it (the shrunken Rhino turned into a
keyring is still fabulous). It's a shame that it never
really found an audience, because it certainly deserved
better. I'm certainly going to miss the book.
Rating: B+
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